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  1. The Threepenny Opera (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to ...

  2. Die Dreigroschenoper (Weill, Kurt) Movements/Sections. 3 acts. Composition Year. 1928 (May-August) Genre Categories. Operas; Theatrical Works; For voices, mixed chorus, orchestra;

    • The Threepenny Opera
    • IKW 2
    • Weill, Kurt
    • Die Dreigroschenoper
  3. Der reitende Bote ("Horch, horch, horch") [ 01:00:20 ] Akt III. Dreigroschen-Finale ("Verfolgt das Unrecht nicht zu sehr") [ 01:05:23 ] Akt III. Die Schluss-Strophen der Moritat ("Und so kommt...

    • 68 Min.
    • 24,1K
    • SP's score videos
  4. 9. Sept. 2023 · THE THREEPENNY OPERA by Bertolt Brecht / Kurt Weill. Publication date 1962 Topics Curd Jurgens, Hidegarde Knef, June Ritchie, Gert Frobe, Hilde Hilderbrand, Lino Ventura Item Size 55864980. THE THREEPENNY OPERA. Die Dreigroschenoper. Ori ...

  5. Die Dreigroschenoper (The Threepenny Opera) - The Kurt Weill Foundation for Music. Play with music after John Gay's The Beggar's Opera; in three acts. By Bertolt Brecht and Kurt Weill in collaboration with Elisabeth Hauptmann. Duration. Full Evening, 65 minutes music. First Performance.

  6. The Threepenny Opera, musical drama in three acts written by Bertolt Brecht in collaboration with composer Kurt Weill, produced in German as Die Dreigroschenoper in 1928 and published the following year. The play was adapted by Elisabeth Hauptmann from John Gay ’s The Beggar’s Opera (1728).

  7. en.wikipedia.org › wiki › Kurt_WeillKurt Weill - Wikipedia

    Textually Threepenny Opera—like the Beggar's Opera before it—is satire and social commentary; but for Weill, coming from a musical perspective, it was something else as well: "It gives us the opportunity to make opera the subject matter for an evening in the theater", part of what Weill saw as a lifelong process to "reform" opera ...

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