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  1. Ford Madox Brown gezeichnet 1852 von Dante Gabriel Rossetti. Ford Madox Brown (* 16. April 1821 in Calais; † 11. Oktober 1893 in London) war ein englischer Maler aus dem Kreis der Präraffaeliten .

  2. Children. 5, including Lucy Madox Brown and Catherine Madox Brown. Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865).

  3. Serie: Wikipedia-Artikel Verweise. Ford Madox Brown (* 16. April 1821 in Calais; † 11. Oktober 1893 in London) war ein englischer Maler aus dem Kreis der Präraffaeliten. Ford Madox Brown kam in Calais als Sohn eines Schiffsausrüsters zur Welt.

    • British
    • April 16, 1821
    • Calais , France
  4. 12. Apr. 2024 · Ford Madox Brown (born April 16, 1821, Calais, France—died October 6, 1893, London, England) was an English painter whose work is associated with that of the Pre-Raphaelite Brotherhood, although he was never a member. Brown studied art from 1837 to 1839 in Bruges and Antwerp, Belgium.

    • The Editors of Encyclopaedia Britannica
  5. Learn about Ford Madox Brown, a British painter who challenged the Academy with his realist style and social commentary. Explore his life, works, and legacy in the Pre-Raphaelite and Arts and Crafts movements.

    • British
    • April 16, 1821
    • Calais, France
    • October 6, 1893
    • Ford Madox Brown1
    • Ford Madox Brown2
    • Ford Madox Brown3
    • Ford Madox Brown4
    • Ford Madox Brown5
  6. Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865). Brown spent the latter years of his life painting the twelve works known as The ...

  7. The Convalescent is a drawing of Emma Hill, Brown's wife and former mistress, who was ill in 1872. The artist depicted her sensually and nostalgically, using pansies or violets as a symbol of life's fragility.