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Charlie Melvin „Cootie“ Williams (* 10. Juli 1911 in Mobile, Alabama; † 15. September 1985 in Long Island in New York City) war ein US-amerikanischer Jazztrompeter . Inhaltsverzeichnis. 1 Leben. 2 Bedeutung. 3 Cootie Williams and His Orchestra. 4 Diskographische Hinweise. 5 Literatur. 6 Weblinks. 7 Anmerkungen. Leben.
Cootie Williams (born July 10, 1911?, Mobile, Alabama, U.S.—died September 15, 1985, New York City, New York) was an American trumpeter whose mastery of mutes and expressive effects made him one of the most distinctive jazz musicians.
- The Editors of Encyclopaedia Britannica
Charles Melvin " Cootie " Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, [1] and rhythm and blues trumpeter. Biography. Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. [2] .
Charles Melvin "Cootie" Williams was an American jazz, jump blues and rhythm and blues trumpeter. In 1947, Williams wrote the song "Cowpox Boogie" while recuperating from a bout with smallpox. He contracted the disease from a vaccination he insisted all band members receive.
25. März 2024 · One of the most definitive and sui generic sounds of the trumpet has been that from Cootie Williams, who helped define the original “jungle” sound of Duke Ellington’s Orchestra. This four disc, 92 song anthology covers the famed horn man from his pre-Ellington days through his most famous time with the Duke, then venturing out ...
10. Apr. 2024 · The next sequence spots trumpeter Cootie Williams playing a quintessential solo, his horn muted by a pixie straight mute and a plunger. He plays against the saxophones. Guest Louis Bacon, who was a trumpeter, is used here by Duke as a vocalist. His wordless singing and robust voice add yet another color to the music, and sustain the ...
29. Jan. 2013 · No longer does the whole trumpet section play the theme, but only Cootie Williams. According to Mercer Ellington, when Whetsel “began to lose his lip [in the 1930s], Cootie began to play both lead and solos” (Mercer Ellington, Duke Ellington in Person, 46).
