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Timothy Morton. Timothy Bloxam Morton (born 19 June 1968) [2] is a professor and Rita Shea Guffey Chair in English at Rice University. [3] A member of the object-oriented philosophy movement, Morton's work explores the intersection of object-oriented thought and ecological studies. Morton's use of the term 'hyperobjects' was inspired by Björk ...
16. Nov. 2021 · Do you feel lost? Alone? Powerless in the face of forces beyond your control? Timothy Morton can help—if you’re ready to have your reality blown apart.
Das Hyperobject KI, das daraus entsteht, ist schon längst geboren: KI-Systeme verteilen sich unaufhaltsam in Raum und Zeit. Als Hyperobject ist KI determiniert, ihre Produktivität am Fortschritt des Eindringens in die menschliche Welt zu bemessen.
1. Okt. 2013 · Moving fluidly between philosophy, science, literature, visual and conceptual art, and popular culture, the book argues that hyperobjects show that the end of the world has already occurred in the sense that concepts such as world, nature, and even environment are no longer a meaningful horizon against which human events take place. Instead of inhabiting a world, we find ourselves inside a ...
latest from the magazine. Timothy Morton, Hyperobjects: Philosophy and Ecology after the End of the World, University of Minnesota Press, Minneapolis, MN, 2013, 240 pages, $ 24.95 paperback. ISBN 978-0-8166-8923-1. Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World is a queasily vertiginous quest to synthesize ...
The world as we know it has already come to an end. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. Morton explains what hyperobjects are and their impact on how ...
1. Juni 2020 · Timothy Morton, philosopher of eco-crisis, describes global warming as a “hyperobject”—outsizing our sensate limits. Any words that help grok the dimensions of what is happening to our planet are urgently useful. The design of this issue of PUBLIC is precisely inspired by the expressive impossibility of gauging the wrecking of a single ...
