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Self-Portrait in a Convex Mirror. By John Ashbery. JSTOR and the Poetry Foundation are collaborating to digitize, preserve, and extend access to Poetry. Source: Poetry (August 1974) Browse all issues back to 1912.
Self-portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
A poem inspired by a painting that distorts the artist's image, reflecting the limitations of self-perception and representation. The poem explores the themes of identity, relationships, and spirituality through a complex structure and form, using metaphors, imagery, and allusions.
- Female
- October 6, 1975
- Poetry Analyst
Self-Portrait in a Convex Mirror is a 1975 poetry collection by the American writer John Ashbery. The title, shared with its final poem, comes from the painting of the same name by the Late Renaissance artist Parmigianino.
- John Ashbery
- 1975
A poem inspired by Parmigianino's painting of the same name, exploring the themes of identity, reflection, and the soul. The poem uses the mirror as a metaphor for the limits and possibilities of language, art, and existence.
Learn about the postmodern poem by John Ashbery that responds to a sixteenth-century painting by Parmigianino. Explore the themes of art, identity, and humanity in the poem's elliptical, difficult style.
Written in a style often described as verbal expressionism, “Self-Portrait in a Convex Mirror” is the title poem in the collection for which John Ashbery won a Pulitzer Prize, a National Book Award, and a National Book Critics Circle Award, all in 1976.
