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  1. Content. Journey Through The Past features music derived mainly from four sources: television broadcasts with Buffalo Springfield; live recordings with Crosby, Stills, Nash & Young; rehearsal outtakes from the Harvest sessions with the Stray Gators; and recordings by the Tony and Susan Alamo Christian Foundation Orchestra and Chorus.

  2. Journey Through the Past: Directed by Neil Young. With Buffalo Springfield, David Crosby, Cyril Delevanti, Tony Giorgio. Don't look for a narrative, it's an Art Film. A series of vignettes referencing the South and a commentary on religion as opiate. See it for the live footage of Buffalo Springfield and CSNY.

    • (177)
    • Documentary, Music
    • Neil Young
    • 1974-05
  3. Derived mainly from four sources: - television broadcasts with Buffalo Springfield - live recordings with Crosby, Stills, Nash & Young - rehearsal outtakes from the Harvest sessions with the Stray Gators - recordings by the Tony and Susan Alamo Christian Foundation Orchestra and Chorus. Versions. Filter by. Format. Labels & Companies. Country. Year

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  4. 14. Dez. 2022 · Written as a reaction to the assassination of Bobby Kennedy in 1968, this moody David Crosby song on Crosby, Stills & Nashs debut album was a warning of darker days ahead. The chorus refrain, ‘It appears to be a long time before the dawn’, echoes the foreboding atmosphere.

  5. David Crosby Stephen Stills Graham Nash Calvin Samuels John Barbata The Buffalo Springfield Tim Drummond Kenneth Buttrey Ben Keith Jack Nitzsche. CSNY Concert Crew: Photography. David Myers Richard Pearce Robert Dannenman Ed Lynch. Editorial Assistant. Yeu-Bun Yee. Production Associate. Gary Burden. Stage Production.

  6. Journey Through the Past is a 1973 film by Neil Young. [1] Originally shot in 16mm format and then transferred for theatrical release [2] the experimental film is a self-directed combination of concert footage from 1966 onward, backstage footage and semi-fantastic art film -like sequences.

  7. Then again, you also see him playing some great early live concerts with Crosby, Stills & Nash, which is reason enough to see this film. But then the film becomes sort of a music-video, showing what appear to be black-robed Klansmen riding horses on the beach, and then what looks like a red-robed Catholic Cardinal riding in a limousine, all of which apparently has zero connection with the rest ...

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