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Arthur McKee Rankin (1841 –1914) was a Canadian born American stage actor and manager. He was the son of a member of the Canadian Parliament. After a dispute with his father he left home to become an actor. He made his stage debut in Rochester, New York in 1861 using the name George Henley.
Having secured production rights to Joaquin Miller's The Danites; or, The Heart of the Sierras, actor-manager Arthur McKee Rankin presented it in the United States, Canada, and the British Isles during the years 1877–1881. Rankin's method of operation typified an important phase of a period Alfred Bernheim refers to as “the industrial ...
Arthur "McKee" Rankin (ca 1841-1914) was born in Windsor, Ontario, Canada. He made his theatrical debut in 1861 in Rochester, New York, using the name George Henley. He moved on to starring roles on the Philadelphia and New York stage, then headed west to California, where he established a repertory theater in San Francisco. Rankin was married ...
Arthur "McKee" Rankin (ca 1841-1914) was born in Windsor, Ontario, Canada. He made his theatrical debut in 1861 in Rochester, New York, using the name George Henley. He moved on to starring roles on the Philadelphia and New York stage, then headed west to California, where he established a repertory theater in San Francisco. Rankin was married ...
Husband of Elizabeth I. (Blanchard) Rankin — married before 1873 in New York City, New York County, New York, United States. Descendants. Father of Gladys Mary S. (Rankin) Drew , Phyllis Blanche McKee (Rankin) Davenport and Doris Marie Rankin. Died 17 Apr 1914 at age 70 in San Francisco, San Francisco County, California, USA.
- February 6, 1844
- April 17, 1914
Arthur McKee Rankin (1841 –1914) was a Canadian born American stage actor and manager. He was the son of a member of the Canadian Parliament. After a dispute with his father he left home to become an actor. He made his stage debut in Rochester, New York in 1861 using the name George Henley.
Arthur McKee Rankin (1844-1914) "Things never did turn out for McKee Rankin. ... He should have been chronicled one of America's most decorative and valuable dramatic assets through the fifty years of his trump card acting and splendid labours in ... the stage and its literature."
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