Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Ab Mitte der 1940er-Jahre spielte er immer wieder mit Kid Ory, um dann in der Folgezeit vorwiegend in den verschiedenen All-Star-Gruppen von Louis Armstrong mitzuarbeiten, so auch in dem Film noir Tödliches Pflaster Sunset Strip von 1951, in dem Armstrong mit seinem Orchester auftrat. 1955 verließ er Armstrongs Gruppe, um ...

  2. In keeping with Ellington's formation of small groups featuring his primary soloists, Bigard continued to be featured under his own name on Variety and subsequently Vocalion Records and OKeh through 1940. When Ellington signed with Victor in 1940, Bigard (and other Ellingtonians) recorded for Bluebird under his own name.

  3. September 1939 (Pyramid: 22. Juli 1938, Jitterbug's Lullaby: 1. August 1938, ohne Strayhorn) Cootie Williams & His Rug Cutters: Cootie Williams (tp), Tricky Sam Nanton (tb), Barney Bigard (cl), Harry Carney (bar), Johnny Hodges (as), Duke Ellington (p), Fred Guy (git), Billy Taylor (b), Sonny Greer (dr) – Echoes of Harlem, 19 ...

  4. 6-8-1939: New York, New York: Vocalion 4928: Clouds In My Heart (Duke Ellington / Juan Tizol / Barney Bigard) 12-19-1936: Hollywood, California: Vocalion v3813: Demi Tasse (Harry Carney / Duke Ellington) 4-29-1937: New York, New York: Vocalion v3842: Early Mornin’ (Barney Bigard) 10-16-1939: New York, New York: Vocalion 5422: Four And One ...

  5. 28. Mai 2021 · Place Order. Jazz musician Barney Bigard's bio, concert & touring information, albums, reviews, videos, photos and more.

  6. 16. Juni 2021 · The album’s called Barneys Bounce, and its 24 tracks hold all manner of delights, climaxed by some of Barneys small-group tracks. But those drawn from his 1939 Jazzopators, with Rex, Tizol and Carney, tragically omit the dazzling Stompy Jones, which seems now to be lost to us forever. Harlem Airshaft, Across The Track Blues ...

  7. Barney Bigard and His Jazzopaters. The first version of the song “Caravan” (composed by Juan Tizol and later rearranged by Duke Ellington) was recorded in Hollywood, on December 18, 1936, and performed as an instrumental by Barney Bigard and His Jazzopaters.