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  1. Charlotte Sally Potter, OBE (* 19. September 1949 in London, England) ist eine britische Regisseurin und Filmbuchautorin, die zunächst auch als Sängerin der Feminist Improvising Group und in Lindsay Coopers Zyklus Oh Moscow aktiv war. 2012 wurde sie mit dem The Most Excellent Order of the British Empire (kurz Order of the British ...

  2. en.wikipedia.org › wiki › Sally_PotterSally Potter - Wikipedia

    Charlotte Sally Potter OBE (born 19 September 1949) is an English film director and screenwriter. [1] [2] [3] She directed Orlando (1992), [4] which won the audience prize for Best Film at the Venice Film Festival. [5] [6] Early life. Potter was born and raised in London.

    • Charlotte Sally Potter, 19 September 1949 (age 74), London, England
    • 1979–present
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  3. 18. Sept. 2019 · Sally Potter: Eine Frau und ihr Kino, ständig in Bewegung. Mann ist Mann. Und plötzlich eine Frau. Sally Potters Kino verwischt überall Grenzen. Die Regisseurin Sally Potter fasziniert...

  4. www.imdb.com › name › nm0006845Sally Potter - IMDb

    Sally Potter is a British filmmaker who has made seven feature films, including Orlando, The Tango Lesson and The Party. She is known for her innovative form, risk-taking subject matter and working with notable actors.

    • January 1, 1
    • 4 Min.
    • London, England, UK
  5. 6. Okt. 2022 · The trailblazing filmmaker talks about her latest short \"Look At Me\", starring Javier Bardem and Chris Rock, and her upcoming comedy \"Yes\". She also reflects on her career, themes, and the importance of discipline in filmmaking.

  6. 31. Juli 2006 · Learn about the life and work of Sally Potter, a modern renaissance woman who directs, writes, composes and acts in her films. Explore her experimental and feminist beginnings, her lyrical and transformative style, and her themes of gender, sexuality, culture and politics.

  7. 7. Okt. 2022 · In recognition of Orlando ’s 30th anniversary and a major retrospective of Potters work opening at Metrograph, Document spoke with Sally Potter about the challenges of adaptation, the legacy of gender and sexuality in film, and how it lives in cinephiles’ minds today.