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  1. en.wikipedia.org › wiki › In_'n_OutIn 'n Out - Wikipedia

    In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.

  2. 5. Sept. 2016 · JazzTube. 7.99K subscribers. 12K views 6 years ago. Show more. PersonnelKenny Dorham, TrumpetJoe Henderson, Tenor SaxMccoy Tyner, PianoRichard Davis, BassElvin Jones, DrumsComposition1 In...

    • 10 Min.
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    • JazzTube
  3. Die Freundschaft zwischen den beiden Musikern führte zu zahlreichen weiteren Alben, etwa Hendersons Debütalbum Page One (1963), Our Thing und In ’nOut. Dorham spielte regelmäßig in den 1960er Jahren für Blue Note und Prestige Records, als Leader und als Begleiter Hendersons, Jackie McLeans, Cedar Waltons, Andrew Hills ...

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  5. theblues-thatjazz.com › 19931-joe-henderson-in-n-out-1964Joe Henderson - In 'n Out (1964)

    25. Juni 2016 · . Joe Henderson — tenor saxophone. Kenny Dorham — trumpet. McCoy Tyner — piano. Richard Davis — bass. Elvin Jones — drums. Joe Henderson's third Blue Note release matches the very distinctive tenor with the veteran trumpeter Kenny Dorham and an unbeatable rhythm section: pianist McCoy Tyner, bassist Richard Davis, and drummer Elvin Jones.

  6. en.wikipedia.org › wiki › Kenny_DorhamKenny Dorham - Wikipedia

    The friendship between the two musicians led to a number of other albums, such as Henderson's Page One, Our Thing, and In 'n Out. Dorham recorded frequently throughout the 1960s for Blue Note and Prestige Records , as leader and as sideman for Henderson, Jackie McLean , Cedar Walton , Andrew Hill , Milt Jackson , and others.

  7. 25. Jan. 2021 · Joe Henderson's third Blue Note release matches the very distinctive tenor with the veteran trumpeter Kenny Dorham and an unbeatable rhythm section: pianist McCoy Tyner, bassist Richard Davis, and drummer Elvin Jones. Henderson always had the ability to make a routine bop piece sound complex and the most complicated free improvisation seem logical.