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  1. Janet Edith Woollacott (4 November 1939 – 13 November 2011) was a British-born French singer and dancer. She began dancing in the early 1960s, working on the Côte d'Azur, and launched her singing career in 1969. She released a few solo singles and later sang with the group Stone Age, alongside her fourth husband, Dominique Perrier.

  2. Janet Woollacott ou Janette Woollacott, née Janet Edith Woollacott le 4 novembre 1939 à Carlton dans le Nottinghamshire et morte le 11 novembre 2011 à Clamart dans les Hauts-de-Seine 1, est une danseuse et chanteuse d'origine britannique ayant fait carrière en France.

  3. This book explores the political and cultural significance of the James Bond films and novels. It covers topics such as the Bond phenomenon, the moments of Bond, the ideologies of Bond, the transformations of Bond, the pleasure of Bond, the figures of Bond, and the future of Bond.

  4. 19. Juni 2019 · Woollacott, Janet Bookplateleaf 0004 Boxid IA1257119 Camera Sony Alpha-A6300 (Control) Collection_set trent External-identifier urn:oclc:record:1148008243 urn:lcp:bondbeyondpoliti0000benn:lcpdf:218882a9-a473-4f4d-8115-fc94e61731d2

  5. Janet Woollacott was born on 4 November 1939 in Nottingham, England, UK. She was an actress, known for Mon père, ce héros. (1991), Quelques pas dans les nuages (1963) and The Making of 'The Spy Who Loved Me' (1977). She was married to Claude François, Dominique Perrier, Jean Sarrus and Jean-Paul Barkoff. She died on 11 November 2011 in ...

    • Additional Crew, Actress, Soundtrack
    • November 4, 1939
    • Janet Woollacott
    • November 11, 2011
  6. Tony Bennett und Janet Woollacott gehen deshalb davon aus, dass die Zuschauer Bedeutungen immer im Kontext sogenannter Reading Formations oder Rezeptionsformationen herstellen. Diese Formationen sind kulturelle und gesellschaftliche Kontexte. Die Rezeption von Filmen, Fernsehsendungen und anderen Medientexten kann nur innerhalb dieser Kontexte ...

  7. In the wake of Tony Bennett and Janet Woollacotts (1987, 42-43) conceptualization of James Bond as a “mobile signifier” in their landmark study on Bond and Beyond: The Political Career of a Popular Hero, scholarship on James Bond has stressed the franchise’s ability to adapt itself to continuously changing norms, values, ideologies, and practices.