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The Human Beinz ( / ˈbiːɪnz / BEE-inz) is an American rock band from Youngstown, Ohio. Originally known as The Premiers, the band initially featured John Richard "Dick" Belley (vocals, guitar), Joe "Ting" Markulin (vocals, guitar), Mel Pachuta (vocals, bass), and Gary Coates (drums), later replaced by Mike Tatman.
The Human Beinz ®™. JOHN "DICK" BELLEY: vocals, lead guitar. JOE "TING" MARKULIN: vocals, guitar. MEL PACHUTA: vocals, bass. MIKE TATMAN: drums. Click " Discography, then "Hit Recordings" on the left menu or click here for a personal story of The Human Beinz recording of Nobody But Me.
The history of making the record, as told by Ting Markulin, THE HUMAN BEINZ. In the spring of 1967 " THE HUMAN BEIN G Z " were signed to a recording contract by Capitol Records and were scheduled to record at Cleveland Recording studio in the summer of 1967. When we signed the contracts, our name was misspelled "THE HUMAN BEINZ".
"Sueño" (Mel Pachuta, Mike Tatman, Belley, Ting Markulin) – 2:10 "Serenade to Sarah" (de Azevedo) – 2:01; Personnel The Human Beinz. John "Dick" Belley – vocals, lead guitar; Joe "Ting" Markulin – guitar, vocals; Mel Pachuta – bass, vocals; Mike Tatman – drums; Technical. Alexis de Azevedo – producer; Charts Singles
Joe „Ting“ Markulin E-Bass, Gesang. Mel Pachuta Gesang, Leadgitarre. John „Dick“ Belley Schlagzeug. Mike Tatman The Human Beinz sind eine Rockband, die 1964 in Youngstown, Ohio gegründet wurde. Die Gruppe ist vor allem für ihre ...
The Human Beingz actually began in 1964, when the original members - Mel Pachuta, Gary Coates, Dick Belley and Ting Markulin - all from the Youngstown, Ohio area, ended up in the same group known as "The Premiers." We played mostly late fifties and early sixties music, with a few tunes from the British Rock bands thrown in.
guitar, harmonica), Joe “Ting” Markulin (b. 1946, rhythm guitar), Mel Pachuta (b. 1946, bass), and Gary Coates (drums). “We lost out [to the Shadows of Knight],” said Mel to DISCoveries’ Robert Hanley. “The studio was on the fourth floor and we had to haul all our equipment up there. No elevator, nothing! We paid for the studio time ...
