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  1. en.wikipedia.org › wiki › Scotty_MooreScotty Moore - Wikipedia

    Moore and the Blue Moon Boys performed (and had additional small walk-on and speaking roles) with Presley in four of his movies (Loving You, Jailhouse Rock, King Creole, and G.I. Blues) filmed in 1957, 1958, and 1960.

  2. 18. Feb. 2020 · Elvis Presley - King Creole - Take 8 - (Scotty Moore Solo) - New Orleans - Outtakes 1958. The Best Of Rock & Roll 1950's - 60’s. 1.47K subscribers. 32. 1.2K views 3 years ago. Elvis Presley...

    • 4 Min.
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    • Rockabilly Party
  3. 1958: King Creole; 1959: A Date With Elvis; 1960: Elvis Is Back! 1961: Something For Everybody; 1961: Blue Hawaii; 1962: Pot Luck with Elvis; 1962: Girls! Girls! Girls! 1963: Fun in Acapulco; 1964: Roustabout; 1965: Elvis for Everyone; 1968: NBC TV Special; Mit Jerry Lee Lewis. 1976: Original; 1989: Classic

  4. 1. Nov. 2015 · 23K views 8 years ago. Never used on any commercial release of "King Creole," this extraordinary, nearly a minute-and-a-half guitar bridge really showcases Scotty Moore's artistry. Found...

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    • verycoolsound
  5. Jerry Leiber/Mike Stoller. Recorded for the motion picture King Creole. Recorded January 23, 1958 at Radio Recorders, Hollywood. Guitar: Scotty Moore, Elvis Presley. Bass: Bill Black. Bass & Guitar: Neal Matthews. Bass & Tuba: Ray Siegel. Drums: D.J. Fontana, Bernie Mattinson. Piano: Dudley Brooks. Bongos: Gordon Stoker. Cymbals: Hoyt Hawkins ...

  6. “I remember playing gigs with him in the ’90s, and every now and then he’d play something I’d never heard him do, and it would be brilliant. One song that happened on was the solo on ’King Creole.’ I spun my head around when I heard him do this cool lick and he was looking at me, smiling like he knew he could still pull out ...

  7. Elvis' second and fourth movies were filmed for Paramount, Loving You early in 1957 and King Creole in 1958 for which he received a temporary deferment from entering the Army to complete. He uses the same guitars in both films, the first of which is a Gibson J-45 from Paramount's prop department and then a 1956 Gibson J-200.