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The Renaissance (1873), Marius the Epicurean (1885) Notable awards. Honorary LL.D, University of Glasgow (1894) Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, art and literary critic, and fiction writer, regarded as one of the great stylists.
Literatur von und über Walter Pater im Katalog der Deutschen Nationalbibliothek; Werke von und über Walter Pater in der Deutschen Digitalen Bibliothek; Texte von Walter Pater im Project Gutenberg (englisch) Walter Pater in The Victorian Web; Website von Tony Edward über Walter Paters Leben und Werk
1. Apr. 2024 · Walter Pater (born August 4, 1839, Shadwell, London, England—died July 30, 1894, Oxford, Oxfordshire) was an English critic, essayist, and humanist whose advocacy of “art for art’s sake” became a cardinal doctrine of the movement known as Aestheticism.
- The Editors of Encyclopaedia Britannica
Walter Pater (1839–94) was the foremost Victorian writer on art and on aesthetic experience. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900–1 in a limited edition of 775 copies. It comprises eight volumes with an additional ...
- Walter Pater
- 2012
21. Nov. 2010 · The Major Works of Walter Horatio Pater. The Renaissance: Studies in Art and Poetry, 1873. Full text (in The Victorian Web) Chapter from DeLaura's Hebrew and Hellene. Marius the Epicurean: His Sensations and Ideas, 1885. ( e-text )*. Introduction. Aesthetic Worship. Imaginary Portraits, 1887 ( e-text )*.
2. März 2011 · General Overviews. There are few studies that attempt to give a general overview of Pater’s achievements. The best short introduction is Fletcher 1959, now a historical source in its own right but still the most secure platform on which to build contemporary approaches.
The International Walter Pater Society aims to foster scholarly research on Pater and to promote a wider knowledge of his writings. It provides a worldwide network for scholars interested in Pater and, more broadly, in Aestheticism and the literature of the British fin de siècle .
