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  1. Umberto D. ist ein Film des italienischen Neorealismus von Vittorio De Sica aus dem Jahr 1952. Inhaltsverzeichnis. 1 Handlung. 2 Hintergrund. 3 Kritik. 4 Auszeichnungen. 5 Weblinks. 6 Einzelnachweise. Handlung. Italien nach dem Ende des Zweiten Weltkriegs.

  2. en.wikipedia.org › wiki › Umberto_DUmberto D. - Wikipedia

    Umberto D. (pronounced [umˈbɛrto di]) is a 1952 Italian neorealist film directed by Vittorio De Sica. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room.

  3. Umberto D. This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italys postwar economic recovery. Alone except for his dog, Flike, Umberto struggles to maintain his dignity in a city where human kindness seems to have been swallowed up by the forces of modernization.

    • Umberto Domenico Ferrari
    • Umberto D.1
    • Umberto D.2
    • Umberto D.3
    • Umberto D.4
    • Umberto D.5
  4. Umberto D.: Directed by Vittorio De Sica. With Carlo Battisti, Maria Pia Casilio, Lina Gennari, Ileana Simova. An elderly man and his dog struggle to survive on his government pension in Rome.

    • (28K)
    • Drama
    • Vittorio De Sica
    • 1955-11-07
  5. When elderly pensioner Umberto Domenico Ferrari (Carlo Battisti) returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady (Lina Gennari) demands her...

    • (38)
    • Carlo Battisti
    • Vittorio De Sica
    • Rizzoli Film
    • Umberto D.1
    • Umberto D.2
    • Umberto D.3
    • Umberto D.4
  6. 24. Okt. 2014 · Umberto D Trailer. Simple, honest and devastating, De Sica’s Umberto D is one of the most moving and unsentimental portrayals of attachment, dignity and suffering ever made. Filmed in Rome ...

    • 1 Min.
    • 51,9K
    • Cult Films
  7. 28. Apr. 2002 · Vittorio De Sica 's "Umberto D" (1952) is the story of the old man's struggle to keep from falling from poverty into shame. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear.