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  1. 8. März 2016 · Ron Bykowski Probably the most mysterious of the P-Funk guitarists is Ron Bykowski. “Ron was the first white guitar player we had,” says Clinton. Bykowski appears on Cosmic Slop [1973] and Standing on the Verge of Getting It On [1974] and is credited as the

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  2. 14. Sept. 2019 · It was posted on the Eddie Hazel Facebook page yesterday that apparently Ron passed away … FIVE YEARS AGO?? How is it even possible that this guy was so under the radar and MIA that no one in the P-Funk universe knew abo…

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  3. en.wikipedia.org › wiki › Cosmic_SlopCosmic Slop - Wikipedia

    Guitars: Garry Shider & Ron Bykowski; Drums: Tyrone Lampkin; Bass: Cordell Boogie Mosson; This track was remade several times by future lineups of Parliament/Funkadelic. A live version (recorded during a rehearsal) appears on the 1976 Funkadelic album Hardcore Jollies.

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  4. en.wikipedia.org › wiki › FunkadelicFunkadelic - Wikipedia

    Funkadelic was an American funk rock [1] band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton 's P-Funk collective, they helped pioneer the funk music culture of the 1970s. [1] [5] Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments (later ...

  5. Ron Bykowski - guitar; Jeff "Cherokee" Bunn - bass; C. Jimi Calhoun - bass; Sammy Campbell - vocals; Gordon Carlton - guitar; Dennis Chambers - drums; Barry Chenault - drums; Jessica Cleaves - vocals; George Clinton - band leader, keyboards, vocals, songwriter, producer; Lushawn "Young Poppi" Clinton - rapper; Scottie Clinton ...

  6. 4. Mai 2019 · Eddie Hazel, Ron Bykowski, and Garry Shider deliver a three-prong guitar assault that would make Jimi proud. The album takes an unexpectedly sympathetic turn with the track “Jimmy’s Got A Little Bit Of Bitch In Him.”

  7. Guitarist Ron Bykowski (the 'soul powered token white devil', as Pedro Bell named him on the credits to the previous album) goes for his with the nasty "No Head No Backstage Pass"; the type of blatant obscenity set to rock riffs that would later be further explored on such unforgettable Funkadelic joints as "Icka Prick" (1981).