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Discography. As leader/co-leader. As a member. As sideman. References. External links. Omar Hakim (born February 12, 1959) is an American drummer, producer, arranger and composer. His session work covers jazz, jazz fusion, and pop music.
Relish is the debut studio album by American singer-songwriter Joan Osborne, released on March 21, 1995. It was nominated for Album of the Year at the 38th Grammy Awards , and also earned nominations for Best New Artist and Best Female Pop Vocal Performance for Osborne.
Omar Hakim (* 12. Februar 1959 in New York City, New York) ist ein US-amerikanischer Jazz - Schlagzeuger . Inhaltsverzeichnis. 1 Werdegang. 2 Diskografie. 3 Weblinks. 4 Einzelnachweise. Werdegang. Hakim begann im Alter von fünf Jahren Schlagzeug zu spielen. Sehr früh jammte er mit seinem Jugendfreund Marcus Miller, der später weltbekannt wurde.
- 12. Februar 1959
- US-amerikanischer Schlagzeuger
- New York City, New York
- Hakim, Omar
20. März 2020 · Renowned drummer Omar Hakim’s passion for percussion – and for jazz – was ignited by The Mahavishnu Orchestra's The Inner Mounting Flame. He spoke with us about his fusion-fuelled epiphany.
29. Okt. 2015 · Omar Hakim's drumming paces 'Spider Web,' a song about a world where Ray Charles can see. Though Osborne loves to delve into religious mysticism, she isn't afraid to cut loose with frisky abandon. 'Right Hand Man' is a randy romp with a love-starved Osborne looking for lust, while 'Let's Just Get Naked' uses a plodding fuzz guitar as ...
From an early age, Omar Hakim’s affinity for rhythm was evident. He began playing the drums at the tender age of five and soon found himself performing in his father’s band, guided by his ...
Künstler:innen. Omar Hakim: Menschliche Rhythmen. Tags: Drums, Packs. Omar Hakim ist zweifellos einer der erfolgreichsten Drummer und Session-Musiker der letzten vier Jahrzehnte. Er hat mit Miles Davis, David Bowie, Sting, Stevie Wonder und erst kürzlich Daft Punk zusammengearbeitet und in unzähligen Hit-Produktionen das Groove-Fundament gelegt.
