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Before and After Science is the fifth solo studio album by Brian Eno, originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Produced by Eno and Rhett Davies , it is the first of Eno's popular music works to be published under his full name (unlike all recordings that preceded the record and Discreet Music , where he was mononymously ...
Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools ...
- (82)
- UK
- 21
- CD, Album, Reissue
Like previous Eno projects, he hired a handful of different instrumentalists, including Robert Fripp, Phil Collins, Paul Rudolph, Bill MacCormick and Percy Jones.
12. Mai 2021 · Before and After Science opens with two bouncy, upbeat cuts: “No One Receiving,” featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and “Backwater.” The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field ...
1. Dez. 2023 · Before And After Science Brian Eno Electronic. On This Day Phil Collins reDiscovered Albums Roxy Music. 1 Comment. Prefacing the ambient music which Brian Eno would pursue later,...
- Oregano Rathbone
- 4 Min.
Und die Tatsache, dass hier Can-Rhythmusgeber Jaki Liebezeit und Bombast-Pop-Maschine Phil Collins Seite an Seite Schlagzeug spielten, machte „Before And After Science“ zu einer der großen Kuriositäten des Pop. „Before And After Science“ liest sich also auf dem Papier wie eine Enzyklopädie der alternativen Musik der 70er- und 80er-Jahre.
27. Dez. 2022 · December 27, 2022 Jim Allen. Brian Eno’s Before And After Science on cassette (Image: Discogs) Nobody was prepared for the arrival of Before and After Science, but it’s hard to imagine a world without it. Brian Eno’s previous output offered nary a hint of what his December ‘77 release would entail.
