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Suchergebnisse
Suchergebnisse:
What work does the paradox of a “terrible beauty” do in the poem? What are some of the “utterly transformed” or “utterly changed” people, ideas, or states that Yeats depicts? As Mlinko tells us, Yeats was reluctantly political; how does this poem create a sense of vacillation or uncertainty about the revolution it is addressing?
Easter, 1916 is a poem by W. B. Yeats describing the poet's torn emotions regarding the events of the Easter Rising staged in Ireland against British rule on Easter Monday, April 24, 1916. The uprising was unsuccessful, and most of the Irish republican leaders involved were executed.
The Easter Rising is a double entendre on the holiday; the “terrible beauty” was “born” during Holy Week, which marks the occasion of Christ’s sacrifice. Hence, the Easter Rising is simultaneously crucifixion and resurrection, reality and archetype.
He had done most bitter wrong To some who are near my heart, Yet I number him in the song; He, too, has resigned his part In the casual comedy; He, too, has been changed in his turn, Transformed utterly: A terrible beauty is born.
A terrible beauty is born. In the final stanza of Easter, 1916 , Yeats asks a significant question about the Rising and the subsequent executions: “Was it needless death after all?” Was it all worth it?
A terrible beauty is born. That woman's days were spent In ignorant good-will, Her nights in argument Until her voice grew shrill. What voice more sweet than hers When, young and beautiful, She rode to harriers? This man had kept a school And rode our winged horse; This other his helper and friend Was coming into his force; He might have won ...
The poem is particularly remembered for the refrain or anaphora that has become one of the most loved and familiar phrases in the English language, the oxymoronic “a terrible beauty is born.”
