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  1. Revolution of the Mind: Live at the Apollo, Volume III is a live double album by James Brown released in 1971. As its subtitle suggests, it is Brown's third album recorded at the Apollo Theater, following the original Live at the Apollo (1963) and Live at the Apollo, Volume II (1968).

    • Soul , Funk
  2. en.wikipedia.org › wiki › Fred_WesleyFred Wesley - Wikipedia

    Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s. Biography [ edit ] Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia , and was raised in Mobile, Alabama .

  3. James Brown. Released December 1971. Revolution of the Mind: Live at the Apollo, Volume III Tracklist. 1. Intro/It's A New Day (So Let A Man Come In And Do The Popcorn) (Live At The Apollo...

  4. Revolution of the Mind, an Album by James Brown. Released in December 1971 on Polydor (catalog no. PD 3003; Vinyl LP). Genres: Funk, Soul. Featured peformers: James Brown (vocals, organ, arranger, producer, sleeve notes), Fred Wesley (trombone), Russell Crimes (trumpet), Jimmy Parker (alto saxophone), St. Clair Pinckney (tenor saxophone ...

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  5. 4. März 2013 · The legendary trombonist is one of the pivotal figures of funk. He served not only as James Brown’s trusty bandleader and primary arranger through the Godfather of Soul’s ’70s rhythm revolution but also guided the brass in pocket (i.e. the Horny Horns) for George Clinton’s Parliament-Funkadelic through its glory (HallaStoopid ...

  6. 3. Mai 2009 · Album: Revolution Of The Mind. Year: 1971. Label: Polydor. In 1971, there was one band who were so far ahead of the rest of music, one could easily make the case that they were the most dangerously talented band in the world. The lineup reads like a "who's who" of the greatest musicians of all time.

  7. 13. Mai 2018 · He’s very much in “Soul Brother #1” mode here, leading the JB’s, headed by Fred Wesley, through many revolutionary funk and soul classics. The nearly 16-minute “mash-up” of “Escapism” and “Make It Funky” is mesmerizing, and his rollicking performance of “Soul Power” pulses with energy.