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  1. Semiramide Appiano of Aragon (1464 – 9 March 1523) was an Italian noblewoman, daughter of the Lord of Piombino Jacopo III Appiano and wife of Lorenzo di Pierfrancesco de' Medici. She was the niece of the famous Simonetta Vespucci , Botticelli 's muse and Giuliano de' Medici 's beloved.

  2. Semiramide d'Appiano d'Aragona ( Firenze, 1464 – 9 marzo 1523) è stata una nobildonna fiorentina . Indice. 1 Biografia. 2 Ascendenza. 3 Note. 4 Altri progetti. Biografia. Figlia di Jacopo III Appiano, signore di Piombino, e di Battistina Fregoso, sua madre era sorellastra di Simonetta Vespucci.

  3. Semiramide Appiani. primary name: primary name: Appiani, Semiramide. other name: other name: Appiano, Semiramide. other name: other name: Appiano, Semiramis. Details. individual; Italian; Female. Other dates. 1480-1490 (active) Biography. Daughter of Jacopo III Appiani, lord of Piombino.

  4. 1. Mai 2022 · Birthdate: 1464. Birthplace: Piombino, Province of Livorno, Tuscany, Italy. Death: March 09, 1523 (58-59) Florence, Metropolitan City of Florence, Tuscany, Italy. Immediate Family: Daughter of Jacopo III d'Appiano d'Aragona and Battistina Campofregoso.

    • Piombino, Tuscany
    • Giuliano De' Medici
    • Tuscany
  5. Semiramis de Appiano de Aragona. Res apud Vicidata repertae: Nativitas: 1464; Florentia. Obitus: 9 Martii 1523; Insigne familiae Appianorum. Semiramis de Appiano de Aragona ( Italiane Semiramide D'Appiano D'Aragona) (nata Florentiae anno 1464 et ibidem mortua die 9 Martii 1523) fuit matrona italica et uxor Laurenti Petri Francisci filii de Medicis.

  6. Botticelli's painting was originally destined for Semiramide Appiani. The legendary Assyrian or, as other accounts called her, Babylonian or even Persian queen Semiramis (though the leg-end had at its origin a reference to a real personage) was, according to the prevailing mythography, a daughter-aban-

  7. Arrange your visit to Florence, find prices and opening hours of the museum. The painting belonged to the Medici, to Lorenzo di Pierfrancesco, cousin of Lorenzo the Magnificent, and it may have been commissioned on the occasion of his marriage with Semiramide Appiani in 1482.