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John Coltrane with the Red Garland Trio is the third studio album by jazz musician John Coltrane. It was released in early 1958 through Prestige Records. The recording took place in Rudy Van Gelder's home studio on August 23, 1957. [1] [2] [3] It was reissued in 1961 as Traneing In with a new catalogue number and cover design.
For sale on Discogs. Explore the tracklist, credits, statistics, and more for John Coltrane With The Red Garland Trio by John Coltrane With The Red Garland Trio. Compare versions and buy on Discogs.
- (692)
- Jazz
- 363
- Hard Bop
12. Mai 2023 · Having played with giants like Thelonious Monk and John Coltrane, Taylor knew how to make his presence felt. His tasteful and dynamic drumming on this album provides the rhythmic backbone, the pulse that keeps the music alive.
28. Feb. 2020 · For this 1957 recording Coltrane used the Red Garland Trio, whose work is already well known with both Miles Davis and Sonny Rollins. There could be no better choice. The trio makes an admirable group on its own (listen to the “Groovy” LP) and provides perfect support for any musician strong enough to carry a session. Red ...
- Jazz Journal
With John Coltrane. Tenor Conclave with Al Cohn, Hank Mobley, Zoot Sims (Prestige, 1957) John Coltrane with the Red Garland Trio (Prestige, 1957) – reissued as Traneing In; Soultrane (Prestige, 1958) Lush Life (Prestige, 1961) Settin' The Pace (Prestige, 1961) Standard Coltrane (Prestige, 1962) The Believer (Prestige, 1964) The ...
11. Okt. 2021 · On 26 December 1958, Coltrane was involved in his final date as a leader for the Prestige label, a quartet session with pianist Red Garland, bassist Paul Chambers and Art Taylor on drums. Of the six tracks recorded that day, ‘Time After Time’ and ‘Then I’ll Be Tired of You’, the latter with Freddie Hubbard added on trumpet ...
28. Apr. 2020 · Jazz Journal. - 28 April 2020. 3203. If there is one phrase to sum up the essential character of John Coltrane’s music, it is “magnificent unconcern”. What appears to be his unvarying tone, coupled with the take-it-or-leave-it style of his presentation, makes him particularly difficult to take.
