Suchergebnisse
Suchergebnisse:
The booklet article by the musicologist Dinko Fabris which accompanies Tormento d’amore – Ian Bostridge’s most recent recording, with Antonio Florio’s Cappella Neapolitana – is titled ‘From Venice to Naples and back’, alluding to the development of opera in Italy during the seventeenth and eighteenth centuries.
20. Jan. 2016 · Charlotte Church & Agnaldo Rayol " Tormento d'amore " no Faustão - Ano 2000
- 4 Min.
- 2,1M
- Adilson Lucca
18. Feb. 2022 · With the 10 arias on Tormento d’amore, Ian Bostridge demonstrates the important place that the tenor voice held in Italian opera from the mid-17th to the mid-18th century – often thought of as the era of the castrato.
Agnaldo Rayol & Charlotte Church - Tormento d'Amore. Guillermo Montenegro Pintos. 1.3K subscribers. Subscribed. 1.7K. 118K views 9 years ago.
- 4 Min.
- 123K
- Guillermo Montenegro Pintos
18. Feb. 2022 · With the 10 arias on Tormento d’amore, Ian Bostridge demonstrates the important place that the tenor voice held in Italian opera from the mid-17th to the mid-18th century – often thought of as the era of the castrato.
Auf seiner neuen CD „Tormento d'amore“ beschäftigt sich Ian Bostridge mit Opernairen aus der Barockzeit. (Eric Richmond) Ian Bostridge will nicht mit strahlend hohen Tönen...
20. Dez. 2011 · Stefano's favorite songs from a folder with your name. Sarai sempre nei nostri cuori.I don't own this video.
