Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Jane Alice (Jenny) Morris (17 January 1861 – 11 July 1935) was an embroiderer. She was the elder daughter of William Morris and Jane Morris and sister to May Morris. Life. Jenny Morris was born 17 January 1861 at Red House, Bexleyheath.

  2. en.wikipedia.org › wiki › Jane_MorrisJane Morris - Wikipedia

    Jane Morris (née Burden; 19 October 1839 – 26 January 1914) was an English embroiderer in the Arts and Crafts movement and an artists' model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to her husband William Morris and to Dante Gabriel Rossetti . [1]

  3. Jane Morris (geborene Burden; * 19. Oktober 1839 in Oxford; † 26. Januar 1914 in Bath) war Modell und Muse der englischen Künstlerbewegung der Präraffaeliten und Ehefrau des Malers, Dichters und Druckers William Morris . Inhaltsverzeichnis. 1 Leben. 1.1 Modell für die Präraffaeliten. 1.2 Heirat mit William Morris.

  4. Jane Alice ('Jenny') Morris. (1861-1935), Daughter of William Morris. Sitter in 21 portraits. William and Jane Morris 's elder daughter was always known simply as Jenny. Educated at Notting Hill High School, she seemed destined for one of the new women's colleges; but after developing acute epilepsy was incapacitated for the rest of her life ...

  5. Jane Alice (`Jenny') Morris was born at the Red House. Morris named her Alice after his younger sister. She was - at a later date - christened at Bexley Church in Kent. A celebration dinner was held after the christening at the Red House which was attended by amongst others…

  6. 12. Feb. 2020 · Lenny Female Artistry. Veröffentlicht: 12 Feb. 2020. Jane Morris, 1865. Jane Morris war eine englische Stickerin und Künstlerin, die das präraffaelitische Schönheitsideal verkörperte. Sie war Modell und Muse für ihren Mann William Morris und Dante Gabriel Rossetti. Die präraffaelitische Bruderschaft.

  7. 30. Apr. 2013 · Jane Morris, the wife of William Morris and the muse of Dante Gabriel Rossetti, became the most identifiable face of Pre-Raphaelite art but has received little scholarly attention in her own right. This book argues that the enduring myth of Jane Morris – as a passive invalid, femme fatale and melancholy beauty – has derived from ...