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  1. One of Zappa’s most enduringly popular albums, Apostrophe (‘) was recorded by some of the most talented players Zappa ever used: George Duke, the Fowler brothers, Ian Underwood, Ruth...

  2. Overview. Apostrophe (') remains Zappa's most commercially successful album in the United States. It was certified gold by the RIAA on April 7, 1976 and peaked at number 10 (a career-high placement) on the Billboard 200 chart in 1974. [2] Continuing from the commercial breakthrough of Over-Nite Sensation (1973), this album is a ...

  3. 29. März 2024 · Changing direction, Zappa recorded both 1973’s Over-Nite Sensation and much of the following year’s Apostrophe (’) at the same time, utilizing a smaller cast of musicians that included keyboardist George Duke, guitarist Tony Duran, longtime percussionist Ruth Underwood, violinist Don “Sugarcane” Harris, bassist ‘Erroneous ...

  4. Apostrophe (’) ist ein Musikalbum von Frank Zappa, das am 22. April 1974 sowohl in Stereo- als auch in Quadrofonie veröffentlicht wurde. Eine editierte Version des einleitenden Stücks Don’t Eat the Yellow Snow war Zappas erster kommerzieller Single-Erfolg, der es bis auf Platz 86 in den Single-Charts brachte.

  5. But the music is written by George Duke alone, and the lyrics by Zappa alone. The example below contains a part of the instrumental interlude with Zappa soloing on guitar along the chord progression of the central theme. George Duke of course is playing the keyboard part. It's a progression drifting along a number of scales. Andy Aledort notates it as D minor, but that's only a relatively best ...

  6. 22. März 2024 · An equally cutting lyric about more serious matters can be found on the soulful “Uncle Remus,” a co-write with George Duke that was first recorded during the 1972 sessions that gave us Waka ...

  7. 22. März 2024 · Co-written with keyboardist George Duke, it’s a bittersweet and borderline satirical look at the status of the Civil Rights movement in the mid-1970s. Zappa takes the perspective of the African American protesters, increasingly frustrated at how even in the 1970s, the United States had to be dragged kicking and screaming into ...