Suchergebnisse
Suchergebnisse:
Overview. Apostrophe (') remains Zappa's most commercially successful album in the United States. It was certified gold by the RIAA on April 7, 1976 and peaked at number 10 (a career-high placement) on the Billboard 200 chart in 1974. [2] Continuing from the commercial breakthrough of Over-Nite Sensation (1973), this album is a ...
- 32:02
- March 22, 1974
- 1969, 1973–January 1974
One of Zappa’s most enduringly popular albums, Apostrophe (‘) was recorded by some of the most talented players Zappa ever used: George Duke, the Fowler brothers, Ian Underwood, Ruth...
Apostrophe (’) ist ein Musikalbum von Frank Zappa, das am 22. April 1974 sowohl in Stereo- als auch in Quadrofonie veröffentlicht wurde. Eine editierte Version des einleitenden Stücks Don’t Eat the Yellow Snow war Zappas erster kommerzieller Single-Erfolg, der es bis auf Platz 86 in den Single-Charts brachte.
- 22. April 1974
- DiscReet Records
- LP-Vinyl, CD
22. März 2024 · An equally cutting lyric about more serious matters can be found on the soulful “Uncle Remus,” a co-write with George Duke that was first recorded during the 1972 sessions that gave us Waka ...
- Jamie Atkins
But the music is written by George Duke alone, and the lyrics by Zappa alone. The example below contains a part of the instrumental interlude with Zappa soloing on guitar along the chord progression of the central theme. George Duke of course is playing the keyboard part. It's a progression drifting along a number of scales. Andy Aledort notates it as D minor, but that's only a relatively best ...
George Duke . Debbie . Lynn . Napoleon Murphy Brock . Ruben Ladron de Guevara . Robert "Frog" Camarena . Tina Turner & The Ikettes. LEAD VOCALS & ALL GUITARS: FZ (except Tony Duran rhythm guitar on "Apostrophe'" ) Engineers: Steve Desper, Terry Dunavan, ...
22. März 2024 · Co-written with keyboardist George Duke, it’s a bittersweet and borderline satirical look at the status of the Civil Rights movement in the mid-1970s. Zappa takes the perspective of the African American protesters, increasingly frustrated at how even in the 1970s, the United States had to be dragged kicking and screaming into ...
