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Apostrophe (’) ist ein Musikalbum von Frank Zappa, das am 22. April 1974 sowohl in Stereo- als auch in Quadrofonie veröffentlicht wurde. Eine editierte Version des einleitenden Stücks Don’t Eat the Yellow Snow war Zappas erster kommerzieller Single-Erfolg, der es bis auf Platz 86 in den Single-Charts brachte.
24. Sept. 2020 · Sal Marquez provided trumpets, flugel horn and/or vocal on: Waka/Jawaka (for which he also provided the 'idea' for the cover art with the sink, and faucets labeled Hot and Rats), The Grand Wazoo. Over-Nite Sensation. Apostrophe (')
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 [1] in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest ...
Apostrophe' Uncle Remus ; Stink-Foot ... Sal Marquez . TROMBONE: Bruce Fowler . BACK-UP VOCALS: Ray Collins . Kerry McNab . Susie Glover . George Duke . Debbie . Lynn . Napoleon Murphy Brock . Ruben Ladron de Guevara . Robert "Frog" Camarena . Tina Tur ...
Producer – Frank Zappa. Remix – Kerry McNabb. Saxophone – Ian Underwood ( tracks: 1 to 9), Napoleon Murphy Brock * ( tracks: 1 to 9) Trombone – Bruce Fowler (3) Trumpet – Sal Marquez ( tracks: 1 to 9) Trumpet, Vocals – Sal Marquez ( tracks: 10 to 16) Violin – Sugar Cane Harris * ( tracks: 1 to 9), Jean-Luc Ponty ( tracks: 1 to 9)
- Russia
- ООО "ДОРА"-JPCD9707412
- CD, Compilation, Unofficial Release
- 1997
28. Juni 2019 · Apostrophe (’) is the eighteenth album by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86.
Apostrophe (') features Cream's bass legend Jack Bruce on a near 6 minute instrumental that emphasizes his distorted bass a lot more than any Cream track ever did. Jack's presence gives this a very bluesy sense. Zappa's solos on this album are probably his fastest studio solos, and they are performed incredibly on a wah drenched guitar.
