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The album was produced by Steve Lillywhite. Five tracks from the album were released as singles; "I'm Lucky", "When I Get It Right", "No Love", "I Wanna Hold You" and "The Weakness in Me". Thomas Dolby plays most of the synthesizer parts on the album and Andy Partridge of XTC provides guitar on two tracks from the album.
- New Wave Soft Rock [2]
Producer – Steve Lillywhite. Synthesizer – Thomas Dolby ( tracks: A1, A2, A4, A5, B4, B5) Written-By – Joan Armatrading. Notes. - Matte cover. - Includes printed inner sleeve with lyrics, credits and photos. On rear cover: Recorded at the Town House, London, July 1981. ℗ 1981 A&M Records Ltd./© 1981 A&M Records Ltd. [...] /Printed in Holland.
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- Europe
- 359
- Vinyl, LP, Album, Stereo
9. Okt. 2017 · On Walk Under Ladders, Joan Armatrading makes a leap to a more pop sound without losing the distinct mix of styles of her previous work. This essay is one in a series celebrating deserving...
The Shouting Stage. Joan Armatrading. Released. 1988 — Europe. CD —. Album. View credits, reviews, tracks and shop for the 1989 CD release of "Walk Under Ladders" on Discogs.
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Thomas Dolby (eigentlich: Thomas Morgan Robertson; * 14. Oktober 1958 in Hammersmith) ist ein britischer Musiker. Obwohl er nur wenige Hits hatte, gilt er doch als einer der bekanntesten Vertreter der Synthesizer - und New-Wave -Musik der 1980er Jahre. Grund hierfür sind unter anderem seine geschickte Selbstdarstellung als „Funky Mad ...
The new wave feel of some of the songs on the album comes from the fact that Thomas Dolby plays keyboards on most of it and Gary Sanford (of the Joe Jackson Band), and Andy Partridge (of XTC) play guitars on many of the songs. Throw in some percussion by Ray Cooper (of Elton John's band) some keyboards by Nick Plytas, and some guitars by Hugh Burns, and they make a formidable team.
Produced by Steve Lillywhite and featuring such alternative rock icons as Tony Levin, Thomas Dolby, Mel Collins, Andy Partridge and Gary Sanford, Walk Under Ladders was fresh rock with a feminine face. At times recalling the work of XTC (whom Lillywhite had produced), it pushed Ms. A even further to the left of the dial. Prominently featuring ...
