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  1. Industrial Zen is a studio album recorded by English jazz musician John McLaughlin in 2006. It was released on 22 May 2006 by Verve Records as a compact disc . Following the release of Thieves and Poets (2003), he began creating an album that was more ambitious and one that he could consider unique to him.

  2. en.wikipedia.org › wiki › Gary_HusbandGary Husband - Wikipedia

    Gary Husband was recruited by John McLaughlin in April 2005 to play keyboards in a formation called John McLaughlin Quartet for a concert in Réunion Island. Soon after, he performed keyboards and drums on McLaughlin's Industrial Zen album.

  3. Guitar, Synth [Synth Programming] – John McLaughlin. Keyboards – Gary Husband. Sopranino Saxophone – Bill Evans (3) Bass Guitar – Hadrien Feraud *. Drums – Gary Husband, Mark Mondesir. Guitar, Synth [Synth Programming] – John McLaughlin. Keyboards – Gary Husband. Sopranino Saxophone – Bill Evans (3) 2.

    • (9)
    • Europe
    • 13
    • CD, Album, Digipak
  4. Drums – Gary Husband, Mark Mondesir. Guitar, Synth [Synth Programming] – John McLaughlin. Keyboards – Gary Husband. Sopranino Saxophone – Bill Evans (3) Bass Guitar – Hadrien Feraud* Drums – Gary Husband, Mark Mondesir. Guitar, Synth [Synth Pr ...

    • (11)
    • France
    • 16
    • CD, Album
  5. Industrial Zen - Keyboards, Drums (2006) LEVEL 42 Retroglide - Drums (2006) JASON SMITH (FEAT: GARY HUSBAND & DAVE CARPENTER) Tipping Point - Piano, E. Piano, Arranger, Co-Composer (2006) RAY RUSSELL Goodbye Svengali - Drums, Co-Composer (2005) JASON SMIT ...

  6. At this album McLaughlin goes modern. At least, he uses classic post-bop ( which isn't modern at all) and add in it plenty of drum programming and synthesized sound.He is a great musician, because he didn't destroy the music using so risky mix. But it's pity, that the album is only very average.

  7. 8. Aug. 2006 · The impressive performances by Otmaro Ruiz (synthesizer) and Gary Husband (keyboards) are aided and abetted by Dennis Chambers (drums) and Zakir Hussain (tabla). This percussion combination, which is quite an interesting pairing, can be heard elsewhere on the album. Matthew Garrison's bass is effectively busy here as well.