Suchergebnisse
Suchergebnisse:
One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.
30. Sept. 1981 · The Woman Next Door: Directed by François Truffaut. With Gérard Depardieu, Fanny Ardant, Henri Garcin, Michèle Baumgartner. Two ex-lovers wind up living next door to each other with their respective spouses. Forbidden passions ensue.
- (8,8K)
- Drama, Romance
- François Truffaut
- 1981-09-30
The Woman Next Door (French: La Femme d'à côté) is a 1981 French romantic drama film directed by François Truffaut. Reminiscent of the medieval legend of Tristan and Iseult but set among young middle-class people in a provincial city, it tells the story of a fatal romance between a loving husband ( Gérard Depardieu ) and the ...
20. Mai 2014 · Music/score: 6/10. Overall: 7/10. Several months ago, I reviewed Les 400 Coups, the first full-length film (and one of the most famous) by French auteur director François Truffaut, one of the biggest names in the nouvelle vague cinematic movement.
2. Dez. 2019 · Le Dernier metro / La Femme d'a cote / Vivement dimanche! soundtrack from 1980-1983, composed by Georges Delerue. Released by Music Box Records in 2019 (MBR-170) containing music from Confidentially Yours (Vivement dimanche!) (1983), The Woman Next Door (La femme d'à côté) (1981), The Last Metro (Le dernier métro) (1980).
Bernard Coudray (Gérard Depardieu), a teacher, lives with his wife and small son in quiet, idyllic rural France. One day, though, a married couple moves into the house next door.
- (13)
- Romance
- R
The Woman Next Door is a film directed by François Truffaut with Gérard Depardieu, Fanny Ardant, Henri Garcin, Michèle Baumgartner .... Year: 1981. Original title: La Femme d'à côté. Synopsis: Bernard Coudray (Gérard Depardieu) lives with his wife and young son in a remote country house near to Grenoble. One day, a married couple ...
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