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During early 1966, Sheryl 'Sherry' Hammerlee joined the band on rhythm guitar and Arlene Quatro replaced Diane Baker on piano. In October that year Darline Arnone joined the band. Pami Benford also joined in August 1967, replacing Hammerlee. In 1968, they became one of the earliest all-female rock bands to sign with a major label ...
Darline Arnone 1966 ~ 1968. Darline Arnone “Thumper” started playing drums at age 11, joining the Pleasure Seekers in the summer of 1966. Darline was featured vocally on the Mercury single, “Good Kind Of Hurt”, which charted well regionally as an A-Side. Darline was the first girl sponsored by Slingerland Drums, and rockin a double bass ...
Darline Arnone was a great drummer too. She was asked by The Slingerland Company to endorse drum sets, an accolade usually reserved for male performers. People who were at The Pleasure Seekers' concerts were bowled over by Darline's drum solos which always lasted over 15 minutes. They say she was technically a great drummer.
The disc jockey asked to Darline Arnone how old are you? and she says "19" (age of fake ID) and venue owner finds out and has to terminate their engament because of under age and the band lose two weeks of work!
14. Feb. 2019 · Nan Ball played drums until ca. October 1966 when Darline Arnone (born Darline Sue Arnone, 1950, Detroit, Michigan, USA) (ex-The Loreleis) joined the band and stayed until late (December?) 1969. Arlene Quatro's husband, Leo Fenn, managed the band. Pami Bedford (born Pamela Kaye Bedford, 27 July 1947, Detroit, Michigan, USA) (ex-The ...
Baker was soon replaced by Arlene Quatro. The released their first single in 1964 on Hideout (Never Thought You'd Leave Me). "Nan" Ball left in 1965 and was replaced by Darline Arnone. In 1968 they signed to Mercury and released a second single (Light Of Love). In 1969 they changed their name to Cradle and pursued a heavier direction. Arlene ...
There is one great vocal performance, by drummer Darline Arnone apparently, on “Good Kind Of Hurt” also worth mentioning. The set closes with a slower experimental freak-out song called “Mr. Power” which comes over like Joe Meek, a great surprise and a cool note to end on definitely leaving me still wanting to hear more.
