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Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida. It was first published in 1995 by Éditions Galilée, based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994.
The hypotheses have a common trait. They all concern the impression left, in my opinion, by the Freudiansignature on its own archive, on the concept of the archive and of archivization, that is to say also, inversely and as an indirect consequence, on historiography.
19. Feb. 2018 · A key reference point for recent analyses of archival technologies is the work of Jacques Derrida, in particular his Archive Fever. This difficult essay – originally a lecture delivered by Derrida in 1994 under the title ‘The Concept of the Archive: A Freudian Impression’ – is significant because it calls for a rethinking of ...
In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving.
Archive Fever: A Freudian Impression. In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully...
1. Jan. 2001 · In Archive Fever , Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving.
Derrida'senterprise inArchive Fever is, I believe, rooted in two related assumptions concerning the relevance of Freud to questions of the archive. The first is that the psychoanalytic archive in particular, dom inated as it is by what Derrida calls the 'signature' of Sigmund Freud,
