Suchergebnisse
Suchergebnisse:
Giulio Panicali ( Torino, 17 febbraio 1899 [1] [2] – Roma, 13 giugno 1987 [3]) è stato un attore, doppiatore e direttore del doppiaggio italiano . Indice. 1 Biografia. 2 Filmografia. 3 Prosa radiofonica EIAR. 4 Prosa radiofonica Rai. 5 Doppiaggio. 5.1 Film. 5.2 Film d'animazione. 6 Note. 7 Bibliografia. 8 Altri progetti. 9 Collegamenti esterni.
Giulio Panicali (February 17, 1899 – June 13, 1987) was an Italian actor and voice actor. [1] Biography. Panicali was born in Turin to Oscar Panicali, a Bersaglieri colonel, and Lidia Gazzeri. He started his acting career on screen in 1934, appearing in nine films in total within 21 years. [2] .
Giulio Panicali (1899-1987) was an Italian actor and a famous dubbing voice for Kirk Douglas and Tyrone Power. He also worked as a narrator, writer and director in several films and TV shows.
- Additional Crew, Actor
- February 17, 1899
- Giulio Panicali
- June 13, 1987
Giulio Panicali (Roma, 17 febbraio 1899 – Roma, 1987) è stato un attore, doppiatore e direttore del doppiaggio italiano, tra i più rappresentativi della prima generazione del doppiaggio. Indice. [ nascondi ] 1 I difficili esordi nel cinema. 2 L'eccellenza nel doppiaggio. 3 In coppia al leggio con Emilio Cigoli. 4 Doppiatore. 4.1 Cinema.
31. Jan. 2024 · Giulio Panicali. Anzahl Sprechrollen: 1. Filme. von Manfred Reddemann (als 'Jafar' ) in Die Rose von Bagdad (1949) [2. Synchro] Werbung. Die Besetzungsangaben basieren auf unterschiedlichen Quellen und bieten insbesondere vor der Erstaufführung keinerlei Garantie auf Vollständigkeit oder Korrektheit. Werbung.
Giulio Panicali, Stuart Legg, Raymond Spottiswoode. Running time. 134 minutes. Ranked in The Greatest Films of All Time poll. = 196. 2022 critics' poll. Who voted for Paisan. Roberto Rossellini’s ambitious and enormously moving follow-up to his breakthrough Rome, Open City.
1. Okt. 2019 · Bridged by Giulio Panicali’s narration and inserts of newsreel footage integrated into each segment’s chronicle, Paisan’s episodic structure is further connected by currents of fleeting happiness and jaded fatalism, by heartbreak, compassion and, most resonant, a deeply felt, fully realized depiction of humanity.
