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Kang Hye-jeong (* 4. Januar 1982 in Incheon) ist eine südkoreanische Schauspielerin. Ihre erste Rolle hatte sie in dem Arthouse / Science-Fiction -Film Nabi (2001), wofür sie auf dem Puchon International Fantastic Film Festival als beste Nachwuchsdarstellerin ausgezeichnet wurde.
Kang Hye-jung (born January 4, 1982) is a South Korean actress. Making her film debut in arthouse film Nabi (2001), she rose to stardom and critical acclaim in Park Chan-wook 's 2003 revenge thriller Oldboy.
Kang Hye Jung (강혜정); South Korean; Kang made her debut as a magazine model while in her first year of high school in 1997. In the late 1990s, she appeared.
YearTitleRoleRatingTBAThe Man Only I Can See add Unconfirmed ...Guest Role0.0TBAFist Fighting add Unconfirmed Korean ...Support Role4.02020My Wife add Unconfirmed Korean Movie, ...Main Role0.02017Lucid Dream add Korean Movie, 2017, So ...So Hyun [Psychiatrist] Support Role7.5Profile. Name: Kang Hye-Jeong. Hangul: 강혜정. Birthdate: January 4. 1982. Birthplace: Incheon, South Korea. University: Seoul Institute of the Arts. Major: Drama. Height: 162cm. Blood Type: Notes. Actress Hye-jeong Kang announced through her agency, YG Entertainment, that she will marry Tablo of K-pop group Epik High in October, 2009.
Kang Hye-jeong is an actress who starred in Oldboy, Welcome to Dongmakgol and The Butterfly. She was born in 1982, married to Tablo and has one child. See her biography, awards, credits and photos on IMDb.
- January 1, 1
- 1.60 m
- South Korea
Kang Hye-jeong (* 4. Januar 1982 in Incheon) ist eine südkoreanische Schauspielerin. Ihre erste Rolle hatte sie in dem Arthouse / Science-Fiction -Film Nabi (2001), wofür sie auf dem Puchon International Fantastic Film Festival als beste Nachwuchsdarstellerin ausgezeichnet wurde. Durch den Film Oldboy (2003) wurde sie weltweit bekannt.
5. Nov. 2023 · Kang Hye-jeong, a prolific South Korean painter known for her fascinating, vibrant abstract art, has created a harmony of colours that takes any art lover into a universe of untamed imagination. Her approach to the Impasto technique, combined with her creativity, paints a very lively picture of mythical horses, flourishing landscapes, and humans.