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  1. de.wikipedia.org › wiki › Roy_WebbRoy Webb – Wikipedia

    Roy Webb (* 3. Oktober 1888 in New York, New York; † 10. Dezember 1982 in Santa Monica, Kalifornien) war ein US-amerikanischer Filmkomponist

  2. en.wikipedia.org › wiki › Roy_WebbRoy Webb - Wikipedia

    Royden Denslow Webb (October 3, 1888 – December 10, 1982) was an American film music composer. One of the charter members of ASCAP, Webb has hundreds of film music credits to his name, mainly with RKO Pictures. He is best known for film noir and horror film scores, in particular for the films of Val Lewton.

  3. www.imdb.com › name › nm0002202Roy Webb - IMDb

    Roy Webb (1888-1982) was a prolific and versatile film composer who worked at RKO for 20 years. He also composed music for Broadway shows, collaborated with Max Steiner and Bernard Herrmann, and created memorable themes for horror and noir films.

    • January 1, 1
    • New York City, New York, USA
    • January 1, 1
    • Santa Monica, California, USA
  4. 5. Juni 2015 · Terry Teachout pays tribute to Roy Webb, a versatile and underrated composer who scored RKO’s horror and noir films. Learn about his style, his collaborations with Val Lewton and Alfred Hitchcock, and his main-title theme for Out of the Past.

  5. Roy Webb filmography. Roy Webb (3 October 1888 – 10 December 1982) was an American film music composer. Webb has hundreds of film music credits to his name, mainly with RKO Pictures . Webb orchestrated and conducted for the Broadway stage, before moving to Hollywood in the late 1920s to work as music director for Radio Pictures ...

    Year
    Title
    Role
    Production Co.
    1920
    Art director
    Whitman Bennett Productions
    1920
    Art director
    Whitman Bennett Productions
    1920
    Assistant director
    Realart Pictures
    1920
    Assistant director
    Realart Pictures
  6. Entdecke alle Serien von Roy Webb. Von seinen Anfängen bis zum Ende seiner 27 Karriere-Jahre.

  7. 13. Sept. 2021 · A catastrophic house fire in 1961 destroyed Roy Webbs musical library of manuscripts and 266 scores, including this one. Upon viewing the film, Webb quickly realized that it was at its core, a story of Devlin and Alicia’s love, with the Nazi conspiracy and espionage serving as its backdrop. As such, he composed a single primary ...