Suchergebnisse
Suchergebnisse:
Learn from Steve Yedlin, ASC, how he creates stunning cinematography for films like Knives Out and Star Wars.
- Resdemo
Steve Yedlin, ASC - ResDemo
- Color Science
BACK TO YEDLIN.NET. ON COLOR SCIENCE FOR FILMMAKERS by Steve...
- NerdyFilmTechStuff
BACK TO YEDLIN.NET. Under the #NerdyFilmTechStuff hashtag on...
- Yedlincommercials
Steve Yedlin - Commercials
- Feature Films
Steve Yedlin - Feature Films
- ON FILM GRAIN EMULATION
Whether or not algorithms are built this way tells you...
- LENS BLUR
Here are two reasons why the Blur Circle matches should be...
- LARGE FORMAT MISCONCEPTIONS
The believed-in optical properties often proffered without...
- Resdemo
Steven M. Yedlin (* 29. September 1975 in Los Angeles [1]) ist ein US-amerikanischer Kameramann . Inhaltsverzeichnis. 1 Leben. 2 Filmografie (Auswahl) 3 Weblinks. 4 Einzelnachweise. Leben. Yedlin ist seit Mitte der 1990er Jahre im Filmgeschäft tätig.
Steven Mark Yedlin, ASC (born September 29, 1975) is an American cinematographer who studied at the USC School of Cinematic Arts. He is best known for his collaboration with director Rian Johnson in his films. Yedlin is a member of the American Society of Cinematographers since 2015.
YearTitleDirector20242022Rian Johnson2019Rian Johnson2017Rian JohnsonBACK TO YEDLIN.NET. ON COLOR SCIENCE FOR FILMMAKERS by Steve Yedlin, ASC June 20, 2016. This document is a follow up to my Display Preparation Demo, which I hope you've already seen.
Steve Yedlin is a cinematographer and visual effects supervisor who has worked on films such as Looper, Knives Out and Star Wars: The Last Jedi. He was born in Los Angeles County, California, USA, and is a member of the American Society of Cinematographers (ASC).
- Steve Yedlin
- September 29, 1975
Watch how Steve Yedlin, ASC, transforms the look of different cameras with his display prep technique. Learn more in the FAQ section.
19. Dez. 2017 · Steve Yedlin, a longtime collaborator of director Rian Johnson, talks about how they created a unique and evocative Star Wars movie without emulating the older ones. He reveals how they approached the visuals and the narrative as one intertwined whole, and how they avoided being tied to any specific references.
