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  1. Ritwik Kumar Ghatak (listen ⓘ; 4 November 1925 – 6 February 1976) was a noted Indian film director, screenwriter, actor and playwright. Along with prominent contemporary Bengali filmmakers like Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition ...

  2. Ritwik Ghatak starb 1976 an Tuberkulose und Alkoholmissbrauch. Sein filmisches Werk fand die gebührliche Beachtung erst nach seinem Tode. Er zählt heute, wie auch seine bengalischen Kollegen Satyajit Ray und Mrinal Sen, zu den bedeutendsten indischen Regisseuren des Autorenfilms. Filmographie

  3. www.imdb.com › name › nm0315547Ritwik Ghatak - IMDb

    Ritwik Ghatak. Ritwik Ghatak was born on 4 November 1925 in Dacca, Bengal Presidency, British India [now in Dhaka, Bangladesh]. He was a director and writer, known for Reason, Debate and a Story (1974), Musafir (1957) and The Cloud-Capped Star (1960). He was married to Surama Ghatak.

  4. List of works by Ritwik Ghatak. Ritwik Ghatak was an Indian filmmaker and also a playwright poet and writer of short stories. Ghatak started his creative career as a poet and a fiction writer. Then he began writing for the theater and became involved with Gananatya Sangha and Indian People's Theatre Association.

  5. 2. Dez. 2003 · In Ashish Rajadhyaksha and Paul Willemen’s account of Ritwik Ghatak’s place in the history of Indian cinema, they propose Ghatak was truly an original filmmaker with no cinematic predecessors.

  6. 1. Nov. 2019 · Ghatak’s singular filmic vision depicts the implacable, everyday groping toward hope, if not a home, that can and will encumber a life lived in exile. ‘Poetry and Partition: The Films of Ritwik Ghatak’ will be presented at Lincoln Center, New York, USA, from 1–6 November 2019.

  7. 31. Okt. 2019 · Ritwik Ghatak, Non-Conformist. The 1950s saw the emergence of a group of primarily Bengali filmmakers whose work, rooted in social realism and shot through with the trauma of the partition of India in 1947, rejected the conventions of mainstream Indian cinema.