Suchergebnisse
Suchergebnisse:
31. Okt. 1999 · Lost for Words: Directed by Alan J.W. Bell. With Thora Hird, Pete Postlethwaite, Penny Downie, Jennifer Luckraft. Deric Longden and his wife, Aileen, come to terms with the fact that his mother, Annie, is getting too old to live on her own.
- (321)
- Drama
- Alan J.W. Bell
- 1999-10-31
Lost for Words is a British TV film which premiered on ITV on 3 January 1999. It was adapted from his autobiographical book of the same title by Deric Longden and directed by Alan J. W. Bell. It was a sequel to Longden's earlier autobiographical film Wide-Eyed and Legless (aka The Wedding Gift).
1999. Directed by Alan J.W. Bell. Deric Longden and his wife, Aileen, come to terms with the fact that his mother, Annie, is getting too old to live on her own. Annie suffers her first stroke and a nursing home is the obvious solution, but which one and where? Cast. Crew. Details. Genres. Releases.
- Alan J.W. Bell
- Yorkshire Television
3. Jan. 1999 · Overview. Deric Longden and his wife, Aileen, come to terms with the fact that his mother, Annie, is getting too old to live on her own. Annie suffers her first stroke and a nursing home is the obvious solution, but which one and where?
Lost for Words (TV) is a film directed by Alan J.W. Bell with Thora Hird, Pete Postlethwaite, Penny Downie, Jennifer Luckraft .... Year: 1999. Original title: Lost for Words. Synopsis: Deric Longden and his wife, Aileen, come to terms with the fact that his mother, Annie, is getting too old to live on her own. Annie suffers her first stroke and ...
- Alan Pyrah
- Alan J.W. Bell
- United Kingdom
- Drama | Old Age / Elderly
Lost for Words is a British TV film premiered on ITV on 3 January 1999. It was adapted from his autobiographical book of the same title by Deric Longden and directed by Alan J.W. Bell and was a sequel to Longden's earlier autobiographical film "Wide Eyed And Legless".
5. Apr. 2018 · Anyone who has seen an elderly relative succumb to the cruelties of old age will find this film strikes a poignant chord, and Longden's script does not shy away from the pitiable nature, whilst never resorting to mawkish sentiment.
