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25. Aug. 2022 · A concise and accessible summary of Carroll’s work on the philosophy of film that approaches perception, narrative comprehension, and affective engagement with film from a cognitive perspective.
This edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies in light of the latest discoveries in the affective and cognitive sciences. It seeks to understand the interplay between intra-textuality and extra-textuality.
Gregory Currie. https://doi.org/10.1093/0199256284.003.0009. Pages. 153–172. Published: November 2004. Split View. Annotate. Cite. Permissions. Share. Abstract. Cognitive film theory is reckoned a powerful and distinctive, if minority position in film studies. What does it say?
Vor 2 Tagen · Quick Reference. *Hypotheses about the (unconscious) mental processes involved in making sense of film and television codes and conventions (not to be confused with psychoanalytic theory). Cognitive film theorists have argued that the comprehension of films depends more on inference than on the decoding emphasized in structuralism.
- 1 Interest as A Complex Cognitive Emotion
- 2 Engagement
- 3 Empathy
The study of emotions and emotional experiences in the arts focuses on aesthetics. One of the core emotions in aesthetics is interest (Berlyne 1974). However, traditional emotional theories have paid little attention to it (Ekman 1992; Oatley and Johnson-Laird 1996) or have considered it to be related to attention (Ortony et al. 1987) and opposite ...
Filmmakers must seek to maintain viewers’ interest in the film as the sequences unfold over time, and ensure they are pleasantly engaged in the film or video product. Narrative engagement has been of interest for film theory as well as research investigating reading and narrative experiences (Bálint and Tan 2015; De Graaf et al. 2009). The experien...
Some authors, such as Stadler (2017), have emphasised the role of empathy—the ability to take the role of others and understand their behaviour—as a critical cinematic emotion. In this sense, ‘empathy is the experience of the embodied mind of the other; it takes different forms and it involves a special kind of experiential understanding that can b...
- Jose Cañas-Bajo
- jose.canasbajo@aalto.fi
- 2020
3. Juli 2018 · Since the 90s, cognitive analyses of narration in film by film scholars from the humanities have revolutionised accounts of the comprehension of movies. They informed computational content...
1. Jan. 2002 · PDF | Cognitive film theory emerged as a distinctive research paradigm in film studies in the mid-1980s. This emergence can be explained against the... | Find, read and cite all the research...
