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Yes Sir, Mr. Bones: Directed by Ron Ormond. With Kathleen Freeman, Cotton Watts, Ches Davis, F.E. Miller. A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and flashbacks show what it was like back in the days of the minstrel shows.
- (70)
- Comedy, Music
- Ron Ormond
- 1951-07-13
1.63M subscribers. Subscribed. 553. 25K views 2 years ago ÉTATS-UNIS. A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and...
- 54 Min.
- 25K
- Cult Cinema Classics
Yes Sir, Mr Bones is a 1951 American film written and directed by Ron Ormond and starring Gary Jackson. The movie includes white actors wearing blackface makeup, mimicking the format of the minstrel show form of American theater.
Yes Sir, Mr. Bones is a film directed by Ron Ormond with Kathleen Freeman, Chick Watts, Cotton Watts, Ches Davis .... Year: 1951. Original title: Yes Sir, Mr. Bones. Synopsis: A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and flashbacks show what it was like back in the ...
- Jack Greenhalgh
- Ron Ormond
- United States
- Comedy. Musical
1951 Directed by Ron Ormond. Are you ready? Here come the showboat minstrels! A young boy finds himself in a home for retired minstrel acts. He’s anxious to find out as much as he can about them, and flashbacks show what it was like back in the days of the minstrel shows. Cast. Crew. Details. Genres. Releases.
- Ron Ormond
Yes Sir, Mr. Bones. Summaries. A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and flashbacks show what it was like back in the days of the minstrel shows. A young boy wanders into an old-folks' home and expresses interest in the old-time minstrel shows.
Synopsis. At the Show Boat Rest Inn, Jim, an African-American porter, polishes a window pane and looks through the glass to a gathering of mostly white men, two of whom dance to the accompaniment of a black piano player. Impressed by the sight, Jim tells Billie Crane, an inquisitive, young white boy who comes by, that the men inside are old ...
