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  1. en.wikipedia.org › wiki › Mel_LewisMel Lewis - Wikipedia

    Mel Lewis. Melvin Sokoloff (May 10, 1929 – February 2, 1990), known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations. Biography. Early years. Lewis was born in Buffalo, New York, to Russian-Jewish immigrant parents Samuel and Mildred Sokoloff.

  2. Mel Lewis (* 10. Mai 1929 in Buffalo, New York, USA als Melvin Sokoloff; † 2. Februar 1990 in New York, NY) war ein US-amerikanischer Jazz - Schlagzeuger . Inhaltsverzeichnis. 1 Leben und Werk. 2 Auswahldiskographie. 3 Publikation. 4 Weblinks. Leben und Werk.

  3. 10. Mai 2024 · Mel Lewis left us in 1990, but his legacy remains a vibrant force in the jazz world. His impact on drumming and big band music is immeasurable, continuing to influence and inspire musicians today. Mel Lewis is celebrated as a masterful drummer and a true jazz legend, his contributions forever etched in the history of jazz.

  4. www.drummerworld.com › drummers › Mel_LewisMel Lewis - DRUMMERWORLD

    May 10, 1929 - February 2, 1990. © Rick Mattingy. Mel Lewis. Although he was generally reluctant to solo, Mel Lewis was considered one of the definitive big band drummers, a musician who was best at driving an orchestra, but could also play quite well with smaller units.

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  5. 9. Apr. 2015 · Learn about Mel Lewis, a versatile and influential jazz drummer who played with Stan Kenton, Gerry Mulligan, Dizzy Gillespie, and others. Find his biography, discography, awards, and related artists on All About Jazz.

  6. February 2, 1990) Story and Photo by Rick Mattingly. 1929-1990. In an era when big band drummers were expected to be showmen who drove their ensembles with aggressive timekeeping and fast, furious fills, Mel Lewis defied the trend and served the music by supporting the band rather than by calling attention to his own playing.

  7. Mel Lewis (1929–1990) Mel Lewis was a big band jazz drummer, educator and author, who was known for his unique cymbal style, dynamic range, and controlled playing. He also played as a sideman to a wide range of jazz greats during the 1950s and 1960s.