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William Geary „Bunk“ Johnson (* 27. Dezember 1879 in New Orleans; [1] † 7. Juli 1949 in New Iberia in Louisiana) war US-amerikanischer Kornettist und Trompeter des traditionellen Jazz. Er gilt als die Zentralfigur des New Orleans-Revivals. [2] Inhaltsverzeichnis. 1 Leben und Wirken. 2 Diskographische Hinweise. 3 Literatur. 4 Weblinks.
Willie Gary " Bunk " Johnson (December 27, 1879 – July 7, 1949) [1] was an American prominent jazz trumpeter in New Orleans. Johnson gave the year of his birth as 1879, although there is speculation that he may have been younger by as much as a decade.
Willie ‘Bunk’ Johnson was one of the most controversial, and divisive, musicians in jazz history. Even today, few are lukewarm on the subject of Bunk’s musical ability, his biographical details and his personality. All agree, however, that he was the central figure of the New Orleans Revival of the 1940s. Without his participation ...
Bunk Johnson (born December 27, 1889?, New Orleans, Louisiana, U.S.—died July 7, 1949, New Iberia, Louisiana) was an American jazz trumpeter, one of the first musicians to play jazz and a principal figure of the 1940s traditional jazz revival.
- The Editors of Encyclopaedia Britannica
25. Okt. 2023 · Bunk Johnson war ein amerikanischer Jazztrompeter, der in New Orleans geboren wurde und zu den ersten Musikern gehörte, die Jazz spielten. Er war auch eine zentrale Figur der traditionellen Jazz-Revival-Bewegung der 1940er Jahre, die den ursprünglichen Stil und Geist des New Orleans Jazz wiederbeleben wollte.
Biography. Due to the difference of opinion between his followers (who claimed he was a brilliant stylist) and his detractors (who felt that his playing was worthless), Bunk Johnson was a controversial figure in the mid-’40s, when he made a most unlikely comeback. The truth is somewhere in between.
28. März 2020 · March 28, 2020. Profiles In Jazz. Bunk Johnson (Stanford Riverwalk Jazz Collection) There have long been two extreme schools of thought about trumpeter Bunk Johnson. His most partisan fans thought of him not only as a genius, but the last important living link to the beginnings of what they considered “real jazz.”.
