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Giulia da Varano, also known after her marriage as Giulia da Varano della Rovere (24 March 1523 – 18 February 1547), was an Italian noblewoman and member of the Da Varano family.
The painting represents the allegory of marriage and was a “teaching” model to Giulia Varano, the young wife of eroticism, fidelity and motherhood. The evident eroticism of the painting, in fact, reminded the woman of the marital obligations she would have to fulfill to her husband.
Giulia da Varano (Camerino, 24 marzo 1523 – Fossombrone, 18 febbraio 1547) è stata una nobile italiana
In this final image, Giulia Varano, Duchess of Urbino, a seated woman is depicted wearing an ornate headdress and modest red gown. Adorned with many jewels, Giulia is positioned in three-quarter view and makes eye contact with the viewer. This painting is a portrait because the sitter is an identifiable woman, specifically the wife of Duke ...
A portrait in a New York private collection (fig. 1) can be identified as one of the lost, primary portraits of the Duchess of Urbino, Vittoria Farnese (1521-1602), dating from her reign as the wife of Guidobaldo II della Rovere, Duke of Urbino.
- Ian Verstegen
16th-century portrait paintings of women with red dresses. Works by Titian by Valcanover number. Non-topical/index: Pages with complex technique templates. Artworks with Wikidata item. Artworks with accession number from Wikidata. Artworks with known accession number. Uses of Wikidata Infobox. Individual painting categories.
Giulia Varano, Duchess of Urbino. 1545-47. Oil on wood, 114 x 88 cm. Galleria Palatina (Palazzo Pitti), Florence. Giulia Varano was the wife of Guidobaldo II della Rovere, duke of Urbino.
