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Francesco de’ Medici (deutsch Franz I.; * 25. März 1541 in Florenz; † 19. Oktober 1587 in Poggio a Caiano) aus der Familie Medici war vom 21. April 1574 bis 17. Oktober 1587 Großherzog der Toskana in der Nachfolge seines Vaters Cosimo I., den er bereits seit 1564 als Regent vertreten hatte. Seine Mutter war Eleonora von Toledo .
Francesco I (25 March 1541 – 19 October 1587) was the second Grand Duke of Tuscany, ruling from 1574 until his death in 1587. He was a member of the House of Medici . Biography. Francesco I of Tuscany as a young boy, painted by Bronzino.
Francesco I de' Medici ( Firenze, 25 marzo 1541 [1] – Poggio a Caiano, 19 ottobre 1587 [1] ), figlio di Cosimo I de' Medici [1] e della di lui prima moglie Eleonora di Toledo [1], fu il secondo Granduca di Toscana dal 1564 alla morte, avvenuta improvvisamente e misteriosamente nel 1587 .
31. Okt. 2022 · Francesco I de’ Medici, Grand Duke of Tuscany. (1541-1587) was the son of Cosimo I de’ Medici and Eleonora de’ Medici. His education included instruction in science and the decorative arts, and these were to remain his abiding interests. Bronzino painted a portrait of Eleonora with Francesco.
Francis (I) (born March 25, 1541, Florence—died Oct. 19/20, 1587, Poggio a Caiano, near Florence) was the second grand duke ( granduca) of Tuscany, a tool of the Habsburgs and father of Marie de Médicis, wife of Henry IV of France. He was appointed head of government in 1564 while his father, Cosimo I, was still alive; and he succeeded his ...
- The Editors of Encyclopaedia Britannica
Son of Cosimo I de' Medici (1519-1574) and of Eleanor of Toledo, Francesco became Grand Duke of Tuscany at his father's death in 1574. In 1565, he had married Joan of Austria, sister of Emperor Maximilian II (1527-1576), who influenced her brother's decision to grant the Medici the Granducal title. Remembered by his subjects more for his ...
Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
