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  1. James Abbott McNeill Whistler [dʒeɪmz ˈæbət məkˈniːl ˈwɪslɚ] (* 11. Juli 1834 in Lowell, Massachusetts; † 17. Juli 1903 in Chelsea, London) war ein US-amerikanischer Maler. Inhaltsverzeichnis. 1 Leben und Werk. 2 Die Ausstellungen. 2.1 „Arrangement in White and Yellow“ 2.2 „Arrangement in Flesh Colour and Grey“ 2.3 „Arrangement in Brown and Gold“

  2. James Abbott McNeill Whistler RBA ( / ˈwɪslər /; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".

  3. James Abbott McNeill Whistler [dʒeɪmz ˈæbət məkˈniːl ˈwɪslɚ] (* 11. Juli 1834 in Lowell, Massachusetts; † 17. Juli 1903 in Chelsea, London) war ein US-amerikanischer Maler. 1843 zog seine Familie nach Sankt Petersburg, wo sein Vater, Major George Washington Whistler, als Eisenbahningenieur für den Zaren tätig war.

  4. 15. Apr. 2024 · James McNeill Whistler (born July 11, 1834, Lowell, Massachusetts, U.S.—died July 17, 1903, London, England) was an American-born artist noted for his paintings of nocturnal London, for his striking and stylistically advanced full-length portraits, and for his brilliant etchings and lithographs.

  5. James McNeill Whistler. American, 1834 - 1903. Whistler, James Abbott McNeill

  6. James McNeill Whistler (Lowell 11.7.1834–17.7.1903 London) war ein in amerikannisch-britischer Maler und Druckgrafiker des Impressionismus und der beginnenden Moderne. Als einer der innovativsten und umstrittensten Künstler seiner Zeit prägte er den Japonismus und den Diskurs über Landschaftsmalerei.

  7. James McNeill Whistler (1834–1903) James McNeill Whistler participated in the artistic ferment of Paris and London in the late nineteenth century, crafted a distinctive style from diverse sources, and arrived at a version of Post-Impressionism in the mid-1860s, a time when most of his contemporaries in the avant-garde were still exploring ...