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Albert-Ernest Carrier-Belleuse (* 12. Juni 1824 zu Anizy-le-Château, Département Aisne; † 3. Juni 1887 in Sèvres) war ein französischer Bildhauer und Zeichner. Sein Werk ist dem Naturalismus zuzuordnen. Inhaltsverzeichnis. 1 Leben und Werk. 2 Kinder. 3 Werksauswahl. 4 Literatur. 5 Weblinks. 6 Einzelnachweise. Leben und Werk.
Albert-Ernest Carrier-Belleuse (born Albert-Ernest Carrier de Belleuse; 12 June 1824 – 4 June 1887) was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.
Carrier-Belleuse was appointed director of works at the state Manufacture de Sèvres in December 1875, where he greatly improved the quality of the models and expanded production in biscuit. A charter member of the new professional organization for the applied arts (the Union Centrale des Beaux-Arts Appliqués à l'Industrie), founded in the ...
Albert-Ernest Carrier de Belleuse dit Carrier-Belleuse, né à Anizy-le-Château le 12 juin 1824 et mort à Sèvres le 3 juin 1887, est un sculpteur français . Il fut l'un des artistes les plus prolifiques du siècle et connut les plus grands succès sous le Second Empire, bénéficiant du soutien personnel de Napoléon III 1.
Artist: Albert-Ernest Carrier-Belleuse (French, Anizy-le-Château 1824–1887 Sèvres) Date: ca. 1868–70. Culture: French, Paris. Medium: Terracotta with wood base. Dimensions: Overall without base (confirmed): H. 32 1/2 x W. 22 1/8 x D. 15 1/2 in. (82.6 x 56.2 x 39.4 cm); Height on base: 36 1/8 in. (91.8 cm) Classification: Sculpture
View Albert Ernest Carrier-Belleuse’s 2,441 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available sculpture, decorative objects , and works on paper for sale and learn about the artist.
- French
Albert Carrier-Belleuse was a notable French sculptor who, in his time, was famous for the wide range of his work—from sober monuments to domestic ornaments (torchères and tabletop elements). He won critical acclaim and state patronage for such monuments as his marble Messiah of 1867 and triggered.
