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Beatrice Kaufman (* 20. Januar 1895 in Rochester, New York; † 6. Oktober 1945 in New York City, New York) war eine US-amerikanische Herausgeberin und Dramatikerin. In den 1930er- und 40er-Jahren galt sie als eine der geistreichsten Frauen New York Citys. [1] Verheiratet war sie mit dem Drehbuchautor George S. Kaufman .
Beatrice Bakrow Kaufman (January 20, 1895 – October 6, 1945) was an American editor, writer, and playwright. Although chiefly remembered as the wife of director, humorist, and playwright George S. Kaufman, she had a distinguished literary career of her own, and during the 1930s and 1940s, was regarded as "one of the wittiest women ...
Writer and playwright Beatrice Kaufman in 1934. Image courtesy of The Library of Congress. In Brief. A member of the famed Algonquin Round Table, Beatrice Kaufman made an impact on the American literary scene both for editing important modernist writers and for writing her own subversively feminist stories and plays.
Beatrice Kaufman (* 20. Januar 1895 in Rochester, New York; † 6. Oktober 1945 in New York City, New York) war eine US-amerikanische Herausgeberin und Dramatikerin. In den 1930er- und 40er-Jahren galt sie als eine der geistreichsten Frauen New York Citys. [1] Verheiratet war sie mit dem Drehbuchautor George S. Kaufman.
Beatrice Kaufman. Beatrice Bakrow, the daughter of Julius Bakrow and Sarah Adler Bakrow, in Oxford Street, Rochester, on 20th January, 1895. According to her biographer, Michael Galchinsky: "She had two brothers, Leonard and Julian. Although few direct references to her Jewishness found their way into her later editorial work and writings, her ...
21. Nov. 2004 · Beatrice Kaufman was as formidable a figure as her husband. She had done clever work as a press agent, a script reader, a book editor, but it was her style, her intelligence, her judgment that...
7. Sept. 2017 · Beatrice Kaufman – A New Yorker State of Mind. Tag: Beatrice Kaufman. The Unspeakables. For all its embrace of the modern city and its technological wonders, The New Yorker mostly despaired of the changes wrought by the introduction of sound to motion pictures. June 1, 1929 cover by Rea Irvin.
