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Robert Menzies McAlmon (* 9. März 1895 in Clifton, Kansas; † 2. Februar 1956 in Desert Hot Springs, Kalifornien) war ein amerikanischer Autor und Verleger, der im Paris der 1920er Jahre die Werke expatriierter Amerikaner in dem mit Bryher gemeinsam gegründeten Verlag Contact Editions erstmals veröffentlichte.
Robert Menzies McAlmon (also used Robert M. McAlmon, as his signature name, March 9, 1895 – February 2, 1956) was an American writer, poet, and publisher. [1] In the 1920s, he founded in Paris the publishing house, Contact Editions, where he published writers such as Ernest Hemingway, Gertrude Stein, James Joyce and Ezra Pound .
19. Apr. 2024 · Robert McAlmon (born March 9, 1896, Clifton, Kan., U.S.—died Feb. 2, 1956, Desert Hot Springs, Calif.) was an American author and publisher and an exemplar of the literary expatriate in Paris during the 1920s. Many of his short stories, however, are based on his own youthful experiences living in small South Dakota towns.
- The Editors of Encyclopaedia Britannica
Learn about the life and work of Robert McAlmon, a Modernist poet, novelist, and publisher who founded Contact magazine and press. He published influential writers such as Pound, Stein, Hemingway, and Williams.
Robert Menzies McAlmon (also used Robert M. McAlmon, as his signature name, March 9, 1895 – February 2, 1956) was an American author, poet and publisher. Combine Editions. Robert McAlmon’s books. Average rating: 3.96 · 277 ratings · 39 reviews · 21 distinct works • Similar authors. More books by Robert McAlmon… Quotes by Robert McAlmon (?)
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- February 2, 1956
- March 9, 1895
Robert McAlmon (1895-1956) was an American writer and publisher famous for his contributions to the mythology and dissemination of literary modernism. He founded the Contact Publishing Company in 1923 and not only published the work of legendary expatriate modernist writers but also knew many of them personally.
Robert McAlmon and Modernist Book Making 267 mode is common to many narrativized historical accounts: historians often assert the relativity of textual materiality while maintaining an anxious discourse of "loss" from, for example, a first edition to an an thology. That is to say, while it is commonplace for bibliographic theo
