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  1. Bankim Chandra Chattopadhyay (anglicized as Chatterjee) CIE (26 or 27 June 1838 – 8 April 1894) was an Indian novelist, poet, essayist and journalist. He was the author of the 1882 Bengali language novel Anandamath, which is one of the landmarks of modern Bengali and Indian literature.

  2. Bankim Chandra Chattopadhyay war ein indischer Autor aus Bengalen. Der Romanautor, Essayist und Herausgeber Chattopadhyay gilt als der populärste Schriftsteller der bengalischen Renaissance des 19. Jahrhunderts; seine in Zeitschriften erscheinenden Romane wurden nicht nur im Kolkata der 1870er Jahre mit großer Spannung erwartet und viel ...

  3. 4. Apr. 2024 · Bankim Chandra Chatterjee (born June 26/27, 1838, near Naihati, Bengal, India—died April 8, 1894, Calcutta) Indian author, whose novels firmly established prose as a literary vehicle for the Bengali language and helped create in India a school of fiction on the European model.

    • The Editors of Encyclopaedia Britannica
  4. It is generally believed that the concept of Vande Mataram came to Bankim Chandra Chattopadhyay when he was still a government official, around 1876. He wrote Vande Mataram at Chinsura , in a white colour house of Adhya Family near Hooghly river (near Jora Ghat) in West Bengal.

  5. Bankim Chandra Chattopadhyay (June 26, 1838 - April 8, 1894) ( Bengali: বঙ্কিম চন্দ্র চট্টোপাধ্যায় Bôngkim Chôndro Chôţţopaddhae) ("Chattopadhyay" in the original Bengali; "Chatterjee" as spelt by the British) was a Bengali poet, novelist, essayist, and journalist, most famous as the ...

  6. 26. Juni 2022 · Bankim Chandra Chattopadhyay. | Photo Credit: The Hindu Photo Archives. Born on June 27, 1838 into a Brahmin family, Bankim Chandra Chattopadhyay was the face of the Bengal Renaissance,...

  7. 27. Juni 2016 · Bankim Chandra Chattopadhyay — the legend who gave India its national song Vande Mataram — was a gifted story-teller too. Written by Sanghamitra Mazumdar. New Delhi | June 27, 2016 17:53 IST. Follow Us. The literary works of Bankim Chandra Chattopadhyay, revered for themes of nationalism, also had undertones of feminism in them.