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Gerald Peary (born October 30, 1944) is an American film critic, filmmaker, editor of the University Press of Mississippi, and a former curator of the Harvard Film Archive.
“I don’t want to know movie directors”: Patricia Highsmith on her film adaptations. During a rare public outing in 1988, master crime writer Patricia Highsmith gave an audience to Gerald Peary, who quizzed her on her thoughts about the many lesser and greater film adaptations of her books, from Alfred Hitchcock’s Strangers on a Train to Wim Wenders’s The American Friend.
„Kameramann Lucien Ballard und Regisseur Lambert Hillyer machten ihrem Job alle Ehre, indem sie Albert DeMonds Originalstory Miss Casey at Bat mit all ihrer ursprünglichen Kraft geschickt auf die Leinwand übertrugen“, befand Gerald Peary in seinem Buch Rita Hayworth. Ihre Filme – ihr Leben.
Gerald Peary says, " For the Love of Movies is the first feature documentary to tell the rich, colorful, and undeniably controversial story of the American film critic ... I had to sort of invent what I think is the history of film criticism, because there wasn’t any formally written book on it." [2]
1. März 2024 · Gerald Peary makes it clear, from the very beginning, what readers can expect from Mavericks: Interviews with the World’s Iconoclast Filmmakers, his recently released collection of decades-spanning conversations published by The University Press of Kentucky. In his introduction, Peary situates the ensuing interviews primarily within the context of, on one hand, the auteur theory and its ...
13. Feb. 2024 · Peary visits uber-maverick Norman Mailer, then 63 in 1987, with a few films and a brawler’s reputation under his belt, shooting Tough Guys Don’t Dance in Provincetown with the late Ryan O’Neal — a fellow boxer, we’re told. “I have a literary sense that I can apply to film. Because of my writing background, I have a sense of character that is deeper than a lot of directors ...
Seasoned film critic and first-time filmmaker Gerald Peary, who has written reviews for the Boston Phoenix and national publications for more than twenty-five years, will guide the audience on this journey into the labyrinthine world of criticism, via voiceover, interview, and wry commentary.
